Architectural Promenade and MAXXI Museum

Nihan Canbakal Ataoğlu
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Abstract

There exists disagreement over the content, purpose, and form of museums, which can be traced back to the Greek temples of antiquity. There is, however, consensus over how museums should be organized, display their art, and circulate their collection. Le Corbusier's concept of the promenade was defined to analyze the circulation setup of the MAXXI museum, which attracts attention with its design in contemporary museology. In this study, the components of the promenade setup for the MAXXI Museum were identified by analyzing photographic sequences taken from the perspective of a mobile observer. To bring out the current museum circulation design, the MAXXI Museum promenade layout was analyzed using spatial experiences, observations, syntactic analysis techniques, and semantic analysis. The purpose of the study is to shed light on how the circulation structure of modern spaces is changing through an analysis concept of a promenade. This brand-new museum area provides a spatial journey with surprises.
建筑长廊和 MAXXI 博物馆
对博物馆的内容、目的和形式存在分歧,这可以追溯到古代希腊的神庙。不过,对于博物馆应如何组织、展示艺术品和流通藏品,人们还是达成了共识。勒-柯布西耶(Le Corbusier)的 "长廊"(promenade)概念被用来分析 MAXXI 博物馆的流通设置,其设计在当代博物馆学中备受关注。在本研究中,通过分析从移动观察者角度拍摄的照片序列,确定了 MAXXI 博物馆长廊设置的组成部分。为了揭示当前的博物馆流通设计,我们利用空间体验、观察、句法分析技术和语义分析对马赛博物馆的长廊布局进行了分析。研究的目的是通过对长廊概念的分析,揭示现代空间的流通结构是如何变化的。这个全新的博物馆区域提供了一个充满惊喜的空间之旅。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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