“Take another route ‘cause we ain’t scared in the South”

Kelly Allen, Delandrea Hall
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Abstract

This paper explores Southern hip-hop as a source of resistance and sustainment amid legislative bans on purported “divisive concepts,” which has led to the systematic censoring of critical and equity-oriented discussions in K-12 education. Social studies teachers, in particular, face punitive backlashes as they are tasked with navigating conversations around culture, power, individuals, and institutions. Through this backdrop, the paper asks: how do we, as social studies teacher educators, make sense of our role in this politically contentious atmosphere? This conceptual analysis focuses on artists like Wacotron, BigXthaPlug, and Flippa T, drawing insights from their lyrics to illuminate strategies for subverting, resisting, and innovating in the face of educational challenges. Embracing themes of fugitivity, community, and refusal, the paper advocates for a mentality of resistance in critical work, reminding educators of their roots in a legacy of Black Southern resistance amid legislative attempts to stifle justice-oriented discussions.
"走另一条路 因为在南方我们不怕"
立法禁止所谓的 "分裂性概念",导致 K-12 教育中以批判性和公平为导向的讨论受到系统性审查,本文探讨了南方嘻哈作为在这种情况下抵抗和维持的源泉。尤其是社会研究教师,他们在承担围绕文化、权力、个人和机构的对话时,面临着惩罚性的反击。在这一背景下,本文提出了这样一个问题:作为社会学教师教育者,我们如何在这一充满政治争议的氛围中理解自己的角色?本概念分析侧重于 Wacotron、BigXthaPlug 和 Flippa T 等艺术家,从他们的歌词中汲取启示,阐明面对教育挑战时的颠覆、抵制和创新策略。本文以 "虚荣"、"社区 "和 "拒绝 "为主题,倡导在批判性工作中采取抵抗的心态,提醒教育工作者在立法企图扼杀以正义为导向的讨论时,要牢记自己植根于黑人南方抵抗运动的传统。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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