This time with feeling: recommendations for full-bodied reporting of research on dance

Rebecca Barnstaple, Jessie Laurita-Spanglet, Jason Fanning, C. Soriano, C. Hugenschmidt
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Abstract

Collaborations that employ methods from arts and sciences to address research questions through multimodal study design are becoming more frequent, as it is increasingly apparent that complex challenges require transdisciplinary solutions. These different modalities rely on interdisciplinary exchange while involving unique expertise in associated delivery practices. In human subject driven scientific research specifically, guidelines for arts-based interventions deserve detailed reporting to allow for fidelity, replicability, and uptake of innovation and results. Details such as frequency, duration, delivery method, expected outcomes, historical precedence, and instructor training are crucial, along with nuanced descriptions pertaining to embodied aspects of specific dance or movement style(s) and adaptations made for the population or study design. This Perspective Paper outlines the current state and challenges of reporting on dance interventions and makes recommendations based on our experience as teaching artists who work in research settings alongside researchers who collaborate with dance professionals.
这一次有感而发:关于全面报道舞蹈研究的建议
通过多模式研究设计,采用艺术和科学方法解决研究问题的合作越来越频繁,因为人们越来越清楚地认识到,复杂的挑战需要跨学科的解决方案。这些不同的模式依赖于跨学科交流,同时涉及相关交付实践中的独特专业知识。具体来说,在以人为研究对象的科学研究中,以艺术为基础的干预指南需要详细的报告,以保证创新和成果的忠实性、可复制性和可接受性。频率、持续时间、实施方法、预期结果、历史先例和指导者培训等细节至关重要,同时还要对特定舞蹈或动作风格的体现方面以及针对人群或研究设计所做的调整进行细致入微的描述。本视角论文概述了舞蹈干预报告的现状和挑战,并根据我们作为在研究环境中工作的教学艺术家以及与舞蹈专业人员合作的研究人员的经验提出了建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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