Design Students’ Affordance-based Messages in an Undesigned Design Studio

Firat Kucukersen, Gozde Gokdemir, Uğur Efe Uçar
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引用次数: 1

Abstract

In this study, as PhD candidates and teaching assistants working in the Interior Architecture Department of the Faculty of Architecture at Istanbul Technical University (ITU) we aimed to explore the interrelationship between the students’ messages and the studio’s affordances by using participant observation and photovoice methods in the classes we attended in the same physical space. We used the photographs taken by us during the studio courses as the central data set to explore the messages triggered by the studio affordances, which are formed based on the complex environments and relationships created by the limited physical facilities of our design studio, the high student quotas and the large project groups using the same physical space at different and even the exact times. Through collaborative commentary and reflective writing, we produced written and visual reports on the final themes at the conclusion of the analysis process. Finally, we concluded that the four main themes, namely, direct message, indirect message, transcendent message, and no message but action, guided us in exploring and explaining our studio’s affordances.
设计专业学生在无设计的设计工作室中发出的基于 Affordance 的信息
在本研究中,作为伊斯坦布尔技术大学(ITU)建筑学院室内建筑系的博士生和助教,我们的目的是通过在同一物理空间内的课堂上使用参与观察和摄影舆论方法,探索学生的信息与工作室负担能力之间的相互关系。我们使用我们在工作室课程期间拍摄的照片作为中心数据集,以探索工作室能力所引发的信息,这些信息是在我们设计工作室有限的物理设施、高学生配额和大型项目小组在不同甚至完全相同的时间使用同一物理空间所创造的复杂环境和关系的基础上形成的。通过合作评论和反思性写作,我们在分析过程结束时就最终主题撰写了书面和视觉报告。最后,我们得出结论,四大主题,即直接信息、间接信息、超越信息和无信息但有行动,引导我们探索和解释工作室的承受能力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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