Study on the Structuring of Music for Buddhist Folk Funeral Rituals in Bijie

Jun Huang
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Abstract

I think I have made an in-depth study of folk Buddhist funeral ceremony music in Bijie area, which aims to explore the origin, development, evolution of folk Buddhist funeral ceremony music in Bijie area, as well as its position and role in society and culture, and education. This study adopts a variety of research methods such as field survey, literature study, and music analysis. A large amount of musical materials were collected through field surveys and recordings of different folk Buddhist funeral ceremony music in the Bijie area. Relevant historical documents, folklore and oral history materials were also sorted out and analyzed to understand the historical origin and cultural background of funeral ceremony music. The results of the study show that the folk Buddhist funeral ceremony music in the Bijie area has a long history and a unique style. These musical compositions usually consist of elements such as Buddhist scriptures, mantras, Buddhist music and folk music, forming a unique musical form. In funeral ceremonies, these musical compositions are used to pay homage to the deceased, transcend the spirits of the dead, and protect the living, etc., and they have both religious ceremonial and social functions (ethics and morals, Buddhist education, and rituals). In addition, the study also found that folk Buddhist funeral ritual music in the Bijie area was influenced by a variety of factors during its evolution, such as regional culture, religious sects, and social change. With the development and change of society, the funeral ceremony music also evolved and innovated, gradually forming unique local characteristics. In general, the music of BiJie folk Buddhist funeral rituals is characterized by its solemnity, solemnity, sadness, and mourning, and adds a unique atmosphere to the funeral rituals through various forms of Buddhist scripture recitation, gatha and music performance, so that people are more able to feel the presentation of cultural phenomena such as memorialization and prayers for the deceased, and expectations and teachings for the living, and so on. It reveals the historical origin, cultural background and evolution process of the music of Bijie folk Buddhist funeral ceremony, and provides theoretical and practical guidance for the protection and inheritance of this unique music culture.
毕节民间佛教丧葬仪式音乐结构研究
我认为我对毕节地区民间佛教丧葬仪式音乐进行了深入的研究,旨在探讨毕节地区民间佛教丧葬仪式音乐的起源、发展、演变及其在社会文化、教育中的地位和作用。本研究采用田野调查、文献研究、音乐分析等多种研究方法。通过对毕节地区不同民间佛教丧葬仪式音乐的实地调查和录音,收集了大量音乐资料。此外,还对相关历史文献、民间传说和口述史料进行了整理和分析,以了解丧葬仪式音乐的历史渊源和文化背景。研究结果表明,毕节地区的民间佛教丧葬仪式音乐历史悠久,风格独特。这些音乐作品通常由佛经、咒语、佛教音乐和民间音乐等元素组成,形成了独特的音乐形式。在丧葬仪式中,这些音乐作品用于祭奠逝者、超度亡灵、护佑生者等,具有宗教礼仪和社会功能(伦理道德、佛教教育、礼仪)。此外,研究还发现,毕节地区民间佛教丧葬仪式音乐在演变过程中受到地域文化、宗教派别、社会变迁等多种因素的影响。随着社会的发展和变迁,丧葬仪式音乐也在不断演变和创新,逐渐形成了独特的地方特色。总体而言,毕节民间佛教丧葬仪式音乐的特点是庄严、肃穆、悲壮、哀婉,通过念经、偈语、音乐表演等多种形式,为丧葬仪式增添了独特的氛围,使人们更能感受到对逝者的追思与祈愿、对生者的期盼与教化等文化现象的呈现。揭示了毕节民间佛教丧葬仪式音乐的历史渊源、文化背景和演变过程,为保护和传承这一独特的音乐文化提供了理论和实践指导。
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