Bentuk Lagu Siontong Tabang Pada Ensambel Gandang Tasa Di Nagari Sunua Kurai Taji Pariaman

Bentuk Lagu, Siontong Tabang, Pada Ensambel, Gandang Tasa, Di Nagari, Sunua Kurai, Taji Pariaman, M. B. Sianggian
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Abstract

This research aims to describe the form of the Siontong Tabang song in the Gandang Tasa ensemble in Nagari Sunua Kurai Taji Pariaman. This study uses a descriptive qualitative method with the researcher as the main instrument, assisted by writing tools and a camera. Data were collected through literature study, observation, interviews, and documentation, with data analysis carried out through the steps of data collection, description, and conclusion drawing. The results show that Gandang Tasa is a traditional art from Pariaman, performed by an ensemble consisting of 6 to 7 players, including 6 Gandang players and 1 Tasa player. Gandang Tasa is usually performed at certain events, especially in the Tabuik ritual, to boost the spirit and solemnity of the community. The songs commonly performed in the Tabuik ritual include Oyak Tabuik, Sosoh, and Katidiang Sompong. The Siontong Tabang song plays an important role as pangka maatam in the Tabuik procession, with a short repetitive rhythmic pattern starting with Tasa playing. In the modern era, Gandang Tasa is no longer limited to traditional or ritual processes but also serves as entertainment and a means of cultural preservation for the people of Pariaman and its surroundings.
Nagari Sunua Kurai Taji Pariaman 甘当塔萨合奏中的 Siontong Tabang 歌曲形式
本研究旨在描述 Nagari Sunua Kurai Taji Pariaman 甘当塔萨合奏中的锡安通塔邦歌形式。本研究采用描述性定性方法,以研究者为主要工具,辅以书写工具和照相机。通过文献研究、观察、访谈和记录收集数据,并通过数据收集、描述和结论得出等步骤进行数据分析。结果表明,甘当塔萨是帕里亚曼的一种传统艺术,由 6 至 7 名演奏者组成的合奏团表演,其中包括 6 名甘当演奏者和 1 名塔萨演奏者。甘当塔萨通常在某些活动中表演,尤其是在塔布伊克仪式中,以增强社区的精神和庄严感。Tabuik 仪式上通常表演的歌曲包括《Oyak Tabuik》、《Sosoh》和《Katidiang Sompong》。Siontong Tabang 歌曲在 Tabuik 游行中作为 pangka maatam 起着重要作用,它以塔萨演奏开始,节奏短促重复。在现代,甘当塔萨不再局限于传统或仪式过程,它还成为帕里亚曼及其周边地区人民的一种娱乐和文化保护手段。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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