From Agni to Agency: Sita’s Liberation in Arni and Chitrakar’s Graphic Retelling of the Ramayana

Humanities Pub Date : 2024-07-22 DOI:10.3390/h13040097
Dhruv Sinha, Zeeshan Ali
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Abstract

The traditional interpretations of the Ramayana have been critiqued for preserving and promoting patriarchal gender structures by emphasising masculine heroism and often portraying female characters as unidimensional symbols of selflessness, purity, and honour. This paper analyses how Samhita Arni and Chitrakar’s graphic novel Sita’s Ramayana offers a retelling that foregrounds Sita’s perspective to question and reinterpret the social constructs. By analysing the text through a feminist literary lens, this paper examines how the novel adapts the traditional narrative to provide centre stage to Sita’s various encounters with instances of oppression. The findings reveal how Arni’s retelling employs unique aesthetics that combine texts and Chitrakar’s patua art illustrations to question the traditional male-centred versions, making this novel a part of a broader structure of feminist reinterpretations that aim to highlight female agency in cultural canons. This paper examines Sita’s stance against societal expectations for women, such as self-sacrifice, while also tracking her personal growth, which is symbolically represented by her reunion with Mother Earth. The novel contributes to the ongoing tradition of literary revisionism by offering a nuanced critique of the patriarchal foundations within classical myths. This is underscored by the novel’s reinterpretation of the epic in a way that points out the plasticity of the Ramayana, which can be reshaped to support more progressive views, encouraging discourse on existing gender norms present in contemporary societies.
从阿格尼到代理:从阿尼到代理:阿尼和奇特拉卡绘声绘色重述《罗摩衍那》中西塔的解放
对《罗摩衍那》的传统诠释一直受到批评,因为它们强调男性英雄主义,并经常将女性角色描绘成无私、纯洁和荣誉的单向度象征,从而维护和促进了父权制的性别结构。本文分析了 Samhita Arni 和 Chitrakar 的图画小说《西塔的罗摩衍那》如何通过重述西塔的视角来质疑和重新诠释社会建构。通过从女性主义文学的视角对文本进行分析,本文探讨了小说如何改编传统叙事,为西塔遭遇压迫的各种遭遇提供中心舞台。研究结果揭示了阿尔尼的重述如何运用独特的美学,将文本和奇特拉卡尔的帕图亚艺术插图结合起来,对传统的以男性为中心的版本提出质疑,从而使这部小说成为女性主义重新诠释的更广泛结构的一部分,旨在突出女性在文化典范中的作用。本文探讨了西塔反对社会对女性的期望(如自我牺牲)的立场,同时也追踪了她的个人成长,这象征着她与大地母亲的重逢。小说对古典神话中的父权制基础进行了细致入微的批判,为文学修正主义的传统做出了贡献。小说对史诗的重新诠释强调了这一点,指出了《罗摩衍那》的可塑性,它可以被重新塑造以支持更进步的观点,鼓励对当代社会中现有的性别规范进行讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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