Celebrating Violence

Q2 Arts and Humanities
Chettiarthodi Rajendran
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引用次数: 0

Abstract

This paper is an attempt to probe into depiction of violence and death in the classical Sanskrit drama, especially in its avatar as Kūṭiyāṭṭam, a living performative tradition related to the temple theatre of Kerala. Stage depictions of terrible scenes of violence, and death as the culmination of it, will be examined here in the context of semiotics by including in its ramifications costume, colour scheme, tonal features and acting. The paper will first review the attitude of the Nāṭyaśāstra to presenting darker side of life on the stage and then turn to issues related to portrayal of violence and death in Kūṭiyāṭṭam. It will also take the opportunity to briefly touch upon other classical performative art forms, like Kathakaḷi, which are based on epic and Purāṇic themes, and are noted for their prominent portrayal of violence on stage.
庆祝暴力
本文试图探究古典梵剧中对暴力和死亡的描写,尤其是作为 Kūṭiyāṭṭam 的梵剧,这是一种与喀拉拉邦寺庙戏剧相关的活生生的表演传统。本文将在符号学的背景下,通过服装、色彩搭配、音调特征和表演等方面,对舞台上可怕的暴力场面以及作为暴力顶点的死亡进行研究。本文将首先回顾《那跋陀罗经》对于在舞台上展现生活阴暗面的态度,然后探讨《古兰经》中与暴力和死亡描写相关的问题。本研究还将借此机会简要介绍其他古典表演艺术形式,如以史诗和普拉提为主题的卡塔卡艺术,这些艺术形式以其在舞台上对暴力的突出描绘而著称。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Cracow Indological Studies
Cracow Indological Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
9
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