{"title":"Explore the Interaction of Artists, Audience and Social Context in the Digital Communication of Dunhuang Murals","authors":"Si Chen, Verly Veto Vemol, Hasma Biti Ahmad","doi":"10.61707/j0g5vj39","DOIUrl":null,"url":null,"abstract":"The Belt and Road Initiative, as an innovative continuation of the ancient Silk Road, provides a possibility for the exchange and docking of cultural values of countries around the world. As a cultural name card of China, Dunhuang culture is not only an important source of cultural consciousness and self-confidence, but also the best medium for cultural exchange and dialogue between the East and the West. Digital communication has the advantages of fast speed, wide audience and vivid information presentation, which opens up a new path for the inheritance and protection of Dunhuang culture. The use of digital technology to present Dunhuang culture to the public in a new way, so that the audience and Dunhuang culture have \"close contact\", to achieve an interactive experience. Artists provide artistic regeneration carriers for the digital communication of Dunhuang murals, audiences bring broader and more core inheritance forces for the digital communication of Dunhuang murals, and social context expands a multi-level and multi-dimensional strong communication platform for the digital communication of Dunhuang murals. In the process of digital communication of Dunhuang murals, the society, as an important carrier of digital communication of Dunhuang murals, broadened the form of dialogue and communication between artists and audiences, and the relationship between artists and audiences continued to develop towards a diversified and changeable trend. ","PeriodicalId":508212,"journal":{"name":"International Journal of Religion","volume":"34 12","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Religion","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.61707/j0g5vj39","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The Belt and Road Initiative, as an innovative continuation of the ancient Silk Road, provides a possibility for the exchange and docking of cultural values of countries around the world. As a cultural name card of China, Dunhuang culture is not only an important source of cultural consciousness and self-confidence, but also the best medium for cultural exchange and dialogue between the East and the West. Digital communication has the advantages of fast speed, wide audience and vivid information presentation, which opens up a new path for the inheritance and protection of Dunhuang culture. The use of digital technology to present Dunhuang culture to the public in a new way, so that the audience and Dunhuang culture have "close contact", to achieve an interactive experience. Artists provide artistic regeneration carriers for the digital communication of Dunhuang murals, audiences bring broader and more core inheritance forces for the digital communication of Dunhuang murals, and social context expands a multi-level and multi-dimensional strong communication platform for the digital communication of Dunhuang murals. In the process of digital communication of Dunhuang murals, the society, as an important carrier of digital communication of Dunhuang murals, broadened the form of dialogue and communication between artists and audiences, and the relationship between artists and audiences continued to develop towards a diversified and changeable trend.