“Except for This Hysteria, She Is the Perfect Woman”: Women and Hysteria in An Inconvenient Wife

Humanities Pub Date : 2024-07-25 DOI:10.3390/h13040100
Nina Marie Voigt
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Abstract

Historical fiction can be understood as a hybrid space: it represents the past and simultaneously allows a consideration of the culture it is written in. Under the assumption that novels help address cultural shifts and attitudes, this paper aims to investigate how, why, and with what implications medical discourses surrounding women are depicted in fiction. This paper explores the manifold conceptualizations of hysteria in An Inconvenient Wife written by Megan Chance in 1998, arguing that the novel presents a complex view of discourses of medicalization. Its central claim is that the novel constructs hysteria not only as a tool of oppression but also as a tool with which to escape social constraints and patriarchal control. Through understanding historical fiction as not merely commenting on the past, but as addressing contemporary issues, the text adds to discussions centering on intersections of medicine and literature.
"除了癔症,她是完美的女人":一个不方便的妻子》中的女性与癔症
历史小说可以被理解为一种混合空间:它在表现过去的同时,也允许对其所处的文化进行思考。在小说有助于解决文化转变和态度问题的假设下,本文旨在研究小说中如何、为何以及如何影响围绕女性的医学话语。本文探讨了梅根-钱斯(Megan Chance)1998 年创作的《难以忍受的妻子》(An Inconvenient Wife)中对癔病的多重概念化,认为这部小说展现了对医疗话语的复杂看法。其核心主张是,小说不仅将歇斯底里症构建为压迫的工具,还将其构建为摆脱社会束缚和父权控制的工具。通过将历史小说理解为不仅仅是评论过去,而是解决当代问题,该文本为围绕医学与文学交叉的讨论增添了新的内容。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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