{"title":"Roman Witold Ingarden’s discussions on artistic style: A contribution","authors":"Beata Garlej","doi":"10.1007/s11212-024-09650-5","DOIUrl":null,"url":null,"abstract":"<p>The present article attempts to reconstruct Polish philosopher and aesthetician Roman Witold Ingarden’s views concerning his understanding of the concept of artistic style. Starting from the hypotheses provided by the content of the outline of his ultimately unwritten work, <i>Poetics</i>, I have chosen selected threads of the discussions held by Ingarden in Lviv before the war, supplemented by the content of the phenomenologist’s lectures from the 1960s, as essential substantive background. Analyzing the material indicated, I demonstrate that it is appropriate for Ingarden’s understanding of artistic style to correlate this concept with the category of aesthetic concretization. Consequently, I draw a conclusion as to the primary role of some aspects of a literary work – appearances, which allow us to inquire into the properties of artistic style practically as a result of their function of decorativeness and polyphony. A condensed comparative analysis of the two functions, as related to excerpts from Gustave Flaubert’s <i>Madame Bovary</i> and Stanisław Ignacy Witkiewicz’s <i>Insatiability</i>, concludes the account of Ingarden’s conception of artistic style, which turns out to be a unique aphenomenal phenomenon.</p>","PeriodicalId":43055,"journal":{"name":"Studies in East European Thought","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in East European Thought","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1007/s11212-024-09650-5","RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"ETHICS","Score":null,"Total":0}
引用次数: 0
Abstract
The present article attempts to reconstruct Polish philosopher and aesthetician Roman Witold Ingarden’s views concerning his understanding of the concept of artistic style. Starting from the hypotheses provided by the content of the outline of his ultimately unwritten work, Poetics, I have chosen selected threads of the discussions held by Ingarden in Lviv before the war, supplemented by the content of the phenomenologist’s lectures from the 1960s, as essential substantive background. Analyzing the material indicated, I demonstrate that it is appropriate for Ingarden’s understanding of artistic style to correlate this concept with the category of aesthetic concretization. Consequently, I draw a conclusion as to the primary role of some aspects of a literary work – appearances, which allow us to inquire into the properties of artistic style practically as a result of their function of decorativeness and polyphony. A condensed comparative analysis of the two functions, as related to excerpts from Gustave Flaubert’s Madame Bovary and Stanisław Ignacy Witkiewicz’s Insatiability, concludes the account of Ingarden’s conception of artistic style, which turns out to be a unique aphenomenal phenomenon.
期刊介绍:
Studies in East European Thought (SEET) provides a forum for impartial scholarly discussion of philosophical thought and intellectual history of East and Central Europe, Russia, as well as post-Soviet states. SEET offers a venue for philosophical dialogue in a variety of relevant fields of study. Predominantly a philosophical journal, SEET welcomes work that crosses established boundaries among disciplines whether by bringing other disciplines to respond to traditional philosophical questions or by using philosophical reflection to address specific disciplinary issues.
The journal publishes original papers by scholars working in the field without discriminating them based on their geographical origin and nationality. The editorial team considers quality of work to be the sole criterion of publication. In addition to original scholarly essays, SEET publishes translations of philosophical texts not previously available in the West, as well as book reviews.
* A forum for scholarly discussion on philosophical thought and intellectual history of East and Central Europe, Russia, and post-Soviet states
* Includes analytic, comparative, and historical studies of thinkers, philosophical and intellectual schools and traditions
* In addition to original papers, publishes translations and book reviews
* Although formatting is not crucial at the review stage, authors are strongly advised to refer to the Submission Guidelines of SEET to which articles accepted for publication must conform