Nationalist Soundscapes: The Sonic Violence of the Far Right

Liam Gillespie
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Abstract

Sound’s ability to impact the body and cross borders places it firmly within the remit of criminological concern. However, although sound continually emerges as a feature of far-right protests and riots—including through music, chants, singing, yelling and drumming—the role it fulfils for the far right has gone untheorized. To address this gap, this article introduces the concept of ‘nationalist soundscapes’, which describes the mechanisms through which far-right nationalists deploy sound to effectuate a politics of power, domination and nationalist superiority. Referencing a selection of events, I argue nationalists weaponize sound in a way that is unique to them, insofar as nationalist soundscapes are deployed to assert ownership over the nation, while simultaneously displacing racialized others through sonic violence.
民族主义音景:极右翼的声波暴力
声音能够影响人的身体并跨越国界,因此被牢牢地置于犯罪学关注的范围之内。然而,尽管声音作为极右翼抗议和骚乱的一个特征不断出现--包括通过音乐、吟唱、歌唱、吆喝和击鼓--但它对极右翼的作用却未被理论化。为了弥补这一空白,本文提出了 "民族主义声音景观 "的概念,描述了极右翼民族主义者通过声音来实现权力政治、统治和民族主义优越感的机制。我参考了部分事件,认为民族主义者以其特有的方式将声音武器化,即民族主义的声音景观被用来宣称对国家的所有权,同时通过声音暴力取代种族化的他人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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