Disney screencerts: A video essay

Sureshkumar P. Sekar
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Abstract

In this video essay, I establish, discuss, and illustrate different types of Disney screencerts—events where the performance of music on stage is accompanied by the projection of the associated audiovisual on screen. Focusing on the audience experience, I use concepts from intermedial and multimodal studies to illustrate the experiential difference in each of the different forms of Disney screencerts—Film-with-Live-Orchestra Concert; Film-with-Live-Theatre-and-Orchestra Concert; Excerpt/Montage-with-Live-Orchestra Concert; and Shorts-with-Live-Orchestra concert. In the 100th anniversary of Disney, the event that truly celebrated the innovative spirit of Disney was not the one literary titled “Disney 100: The Concert” but the one titled “Encanto at the Hollywood Bowl”, which is a Film-with-Live-Theatre-and-Orchestra concert—a super-hybrid screencert form in which only Disney films have been presented so far.
迪斯尼截屏视频随笔
在这篇视频文章中,我建立、讨论并说明了不同类型的迪斯尼屏幕秀--舞台上的音乐表演伴随着屏幕上相关视听的投影。我将重点放在观众的体验上,使用跨媒介和多模态研究的概念来说明每种不同形式的迪斯尼映像音乐会--电影与现场管弦乐团音乐会、电影与现场剧院和管弦乐团音乐会、选段/蒙太奇与现场管弦乐团音乐会以及短片与现场管弦乐团音乐会--在体验上的差异。在迪斯尼诞辰 100 周年之际,真正弘扬迪斯尼创新精神的活动不是名为 "迪斯尼 100:音乐会 "的文艺活动,而是名为 "好莱坞露天剧场 Encanto "的活动,这是一场电影--现场--戏剧--管弦乐音乐会--一种超级混合的银幕音乐会形式,迄今为止只上演过迪斯尼电影。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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