“The most cooperative of writers”: Brendan Behan’s Collaboration with Carolyn Swift on The Quare Fellow

Q4 Arts and Humanities
James Little
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Abstract

: Brendan Behan was a writer for whom collaboration was a central part of the creative process. His work for the inherently social art of theatre thus provides a fascinating case study through which to examine collaborative textual geneses, particularly when there is an archival trail that enables us to analyse these collaborations. Building on the recent turn in genetic criticism towards the study of collaborative creative processes, this article draws on the recently acquired papers, at the University of Galway, of Pike Theatre co-founder Carolyn Swift, who was central to the editing of Behan’s plays for performance. Focusing on drafts of The Quare Fellow (first staged 1954), the essay shows that Swift deleted multiple instances of violent language from Behan’s manuscript, suggesting that the play’s violence was censored by this key collaborator. Bringing the tools of genetic criticism to bear on Behan’s theatre work demonstrates the significance of Swift’s role in Behan’s collaborative creative practice and the centrality of collaboration to his aesthetic. In conclusion, the article calls for a revised reader’s edition of Behan’s plays which would take into account the collaborative nature of his theatre work.
"最善于合作的作家布兰登-贝汉与卡罗琳-斯威夫特合作创作《夸尔研究员
:布兰登-贝汉是一位以合作为创作核心的作家。因此,他为戏剧这一固有的社会艺术所创作的作品为我们研究合作文本基因提供了一个引人入胜的案例,尤其是当我们有档案线索可以分析这些合作时。最近,遗传学批评转向对合作创作过程的研究,在此基础上,本文借鉴了最近在戈尔韦大学获得的派克剧院共同创始人卡罗琳-斯威夫特的论文,她在编辑贝汉的剧本以供演出方面发挥了核心作用。文章以《The Quare Fellow》(1954 年首演)的草稿为重点,指出斯威夫特从贝汉的手稿中删除了多处暴力语言,这表明剧中的暴力内容是由这位重要的合作者审查的。运用遗传学批评工具来研究贝汉的戏剧作品,表明了斯威夫特在贝汉的合作创作实践中的重要作用,以及合作在其美学中的核心地位。最后,文章呼吁修订贝汉戏剧的读者版,将其戏剧工作的合作性质考虑在内。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Litteraria Pragensia
Litteraria Pragensia Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.10
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0.00%
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20
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