Kilmingosios raganos atspindys skirtinguose veidrodžiuose: Veronikos iš Desenicės motyvo transformacija slovėnų kultūros kanone

Q3 Arts and Humanities
Colloquia Pub Date : 2024-07-04 DOI:10.51554/coll.24.53.07
Maciej Bolesław Olszewski
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Abstract

The fate of Veronika of Desenice, a Medieval lady who was tried (and subsequently acquitted) in the first witchcraft trial on Slovenian soil, has been a profound source of inspiration for Slovenian folklore and culture since the 15th century. Over time, it has gradually evolved into one of the culture’s most enduring and canonical motifs. An impressive array of more than 25 texts, spanning various genres such as dramas, operas and novels, has emerged in the modern era, which has its beginnings in Slovenia 1848. In this article, I aim to examine the use of the motif of Veronika in modern texts, and elucidate the transformation of the narratives associated with it over time. The article specifically investigates the shifting focus on different aspects of the story, and the evolving techniques employed in its re-telling. Approximately half of these texts came into existence before the Second World War, while about five were produced during the period of communist Yugoslavia, with the remaining works originating in the era of independent Slovenia. In addition, several of these texts were written by authors in exile. Drawing upon this extensive material, the study presents an exploration of the similarities and differences in the portrayal of Veronika of Desenice in changing circumstances, with a particular emphasis on works from the eras of communist and independent Slovenia.
高贵女巫在不同镜子中的反映:斯洛文尼亚文化典籍中德塞尼切的维罗妮卡主题的转变
德塞尼采的维罗妮卡是一位中世纪女士,她在斯洛文尼亚土地上的第一次巫术审判中被审判(随后被无罪释放),自 15 世纪以来,她的命运一直是斯洛文尼亚民间传说和文化的深刻灵感来源。随着时间的推移,它逐渐演变成斯洛文尼亚文化中最经久不衰的经典主题之一。在斯洛文尼亚 1848 年开始的现代,出现了超过 25 种文本,涵盖戏剧、歌剧和小说等各种类型,令人印象深刻。在本文中,我旨在研究现代文本中对 Veronika 主题的使用,并阐明与之相关的叙事随着时间的推移而发生的变化。文章特别研究了故事不同方面的侧重点的变化,以及重述故事时所采用的不断演变的技巧。这些文本中约有一半产生于第二次世界大战之前,约有五部产生于南斯拉夫共产主义时期,其余作品产生于斯洛文尼亚独立时期。此外,其中几部作品的作者是流亡作家。本研究利用这些广泛的资料,探讨了在不断变化的环境中对德塞尼采的薇罗妮卡的描写的异同,并特别强调了共产主义时期和斯洛文尼亚独立时期的作品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Colloquia
Colloquia Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
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