The Acculturation of Malay-Islamic Elements in the Dabus Dance Ritual in the Malay Community of Perak, Malaysia

Q1 Arts and Humanities
Abdul Hamid Chan, Muhammad Fazli Taib Saearani, Salman Alfarisi
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Abstract

The main objective of this study is to examine the Islamic and Malay elements that are acculturated in the Dabus dance ritual of Perak, Malaysia. The focused group of this study is the Dabus of Tanjung Bidara village, estimated to have been established since the 1818s. However, throughout that time, the perception of the Malay community has not been strong yet, specifically regarding the ritual relationship of the Dabus dance with Islamic values. In fact, not infrequently, Dabus dance rituals are seen as contradicting the values of Islam itself. It is even seen over as skewed by some of the Malay community. However, in terms of history, meaning, practice, and ritual function, the Dabus dance itself cannot be separated from Islam. The study was designed as a field study. The data collected is qualitative and analysed critically using ritual theory, cultural symbols, and acculturation. Data was collected through interviews, field observations, and documents. Other data sources include a review of text, photos, videos, and relevant articles. The findings show that 1) the process of Malay-Islamic acculturation in Dabus dance rituals has been since the arrival of Dabus dance in the Malay peninsula and continues until now; 2) one of the most significant Islamic-Malay acculturation methods and strategies is the reinvention of the Dabus dance over time; 3) Islamic-Malay acculturation includes not only physical forms (forms, structures, and ritual elements) but also non-physical aspects (doa, zikir, selawat, berzanji, belief).
马来西亚霹雳州马来社区达布斯舞蹈仪式中马来-伊斯兰元素的文化融合
本研究的主要目的是考察马来西亚霹雳州达布斯舞蹈仪式中融入的伊斯兰和马来元素。本研究的重点研究对象是丹绒比达拉村的达布斯舞,据估计,达布斯舞自 18 世纪 18 年代就已建立。然而,在此期间,马来社区对达布斯舞蹈仪式与伊斯兰价值观之间关系的看法并不强烈。事实上,达布斯舞蹈仪式经常被视为与伊斯兰教本身的价值观相抵触。一些马来人甚至将其视为歪曲。然而,就历史、意义、习俗和仪式功能而言,达布斯舞本身与伊斯兰教是分不开的。本研究以实地考察的形式进行。收集到的数据是定性的,并使用仪式理论、文化符号和文化适应进行批判性分析。数据是通过访谈、实地观察和文件收集的。其他数据来源包括文本、照片、视频和相关文章的回顾。研究结果表明:1)达布斯舞蹈仪式中的马来-伊斯兰文化融合过程自达布斯舞蹈传入马来半岛以来一直持续至今;2)伊斯兰-马来文化融合最重要的方法和策略之一是随着时间的推移对达布斯舞蹈进行再创造;3)伊斯兰-马来文化融合不仅包括物质形式(形式、结构和仪式元素),还包括非物质方面(doa、zikir、selawat、berzanji、信仰)。
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来源期刊
Harmonia: Journal of Arts Research and Education
Harmonia: Journal of Arts Research and Education Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.90
自引率
0.00%
发文量
32
审稿时长
4 weeks
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