A fRAmework of the DetermInants of Arts aNd Cultural Engagement (RADIANCE): integrated insights from ecological, behavioural and complex adaptive systems theories

D. Fancourt, Katey Warran
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Abstract

Background Arts and cultural engagement (ACEng) is ubiquitous across every human culture since palaeolithic times, but in contemporary society, ACEng is unevenly distributed, demographically, socio-economically, geographically and politically. But what are the “determinants” of ACEng (i.e., the facilitators or barriers to people’s engagement) and how can they be optimised? Despite a large body of theory and evidence on individual determinants, this work has largely occurred in disciplinary silos, which has led variously to contrasting discourses and approaches, criticism, and inconsistent findings. What we lack is a rigorous comprehensive understanding of these determinants (both those already theorised and those that have been little recognised as determinants to date) that goes beyond descriptively showing inequalities, instead explaining why these inequalities exist and how they can be overcome. This paper explores the currently recognised determinants of ACEng, and existing theoretical approaches to these determinants. Methods Drawing on the theoretical bases of ecological systems theory, ecosocial theory and complex adaptive systems science, we conducted a review and iterative theorising process. Results We propose a new theoretical framework of the determinants of arts and cultural engagement (RADIANCE) developed through cross-disciplinary literature reviewing, domain mapping, and consensus building. Conclusions Overall, we identified 35 different factors that can act as determinants of ACEng across micro, meso, exo, macro and chrono levels. We broadly categorised these as social (i.e. a primary feature being the interaction of people), tangible (i.e. a primary feature involving physical assets or resources or the production of physical assets), and intangible (i.e. constructs that do not have a primary physical basis but instead have a virtual or imaginary basis). The relevance and implications of this framework for broader research, policy, and practice and case studies of it in use are presented.
艺术与文化参与决定因素研究(RADIANCE):生态、行为和复杂适应系统理论的综合见解
背景 文化艺术参与(ACEng)在旧石器时代以来的每一种人类文化中都无处不在,但在当代社会中,文化艺术参与在人口、社会经济、地理和政治方面的分布并不均衡。但是,ACEng 的 "决定因素"(即人们参与的促进因素或障碍)是什么,如何优化这些因素?尽管有大量关于个别决定因素的理论和证据,但这项工作在很大程度上是在学科孤岛上进行的,这导致了不同的论述和方法、批评和不一致的结论。我们所缺乏的是对这些决定因素(包括那些已经理论化的因素和那些迄今为止很少被认为是决定因素的因素)的严谨而全面的理解,这种理解不仅仅是描述性地显示不平等现象,而是解释这些不平等现象存在的原因以及如何克服这些不平等现象。本文探讨了目前公认的 ACEng 决定因素,以及针对这些决定因素的现有理论方法。方法 我们借鉴了生态系统理论、生态社会理论和复杂适应系统科学的理论基础,对其进行了回顾和迭代理论研究。结果 我们提出了一个新的文化艺术参与决定因素理论框架 (RADIANCE),该框架是通过跨学科文献回顾、领域映射和建立共识而形成的。结论 总体而言,我们在微观、中观、外 观、宏观和时间层面上确定了 35 种不同的因素,它们可以作为文化艺术参与的决定因素。我们将这些因素大致分为社会因素(即主要特征是人与人之间的互动)、有形因素(即主要特征涉及有形资产或资源或有形资产的生产)和无形因素(即不具有主要物质基础,而是具有虚拟或想象基础的构造)。本报告介绍了这一框架对更广泛的研究、政策和实践的相关性和影响,以及使用这一框架的案例研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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