Music Therapy with Patients with Personality Disorder

Niels Hannibal, Gitta Strehlow
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Abstract

This clinically oriented article reflects on music therapy with patients with a personality disorder diagnosis, focusing on music improvisation and the advantages and challenges it may provide for both patient and therapist. The method used is reflexive and based on a combination of many years of clinical experience and theoretical reflection. The article has four parts. The first part describes our approach to music therapy. The second part presents our view on challenges in music therapy with patients with a personality disorder (PD) and specifically borderline personality disorder (BPD) issues. The third part presents our view on the advantages of music therapy with this client group and the fourth part is a discussion. The discussion has three topics: 1. Does this article present a more nuanced picture of music therapy with a more diverse understanding of challenges and advantages? 2. What is the relationship between challenges/advantages and rupture/repair? 3. How does music therapy relate to common factor theory?
为人格障碍患者提供音乐治疗
这篇文章以临床为导向,对被诊断为人格障碍的患者的音乐治疗进行了反思,重点关注音乐即兴创作及其可能为患者和治疗师带来的优势和挑战。文章所采用的方法是反思性的,基于多年的临床经验和理论思考。文章分为四个部分。第一部分介绍我们的音乐治疗方法。第二部分介绍我们在对患有人格障碍(PD),特别是边缘型人格障碍(BPD)的患者进行音乐治疗时所面临的挑战。第三部分介绍了我们对该客户群体进行音乐治疗的优势的看法,第四部分是讨论。讨论有三个主题:1.这篇文章是否对音乐疗法的挑战和优势有了更多不同的理解,从而对音乐疗法有了更细致入微的描述?2.2. 挑战/优势与破裂/修复之间的关系是什么?3.音乐疗法与共同因素理论有何关系?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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