David Hume's Skepticism - Expression of the Late Baroque

Marius Dumitrescu
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Abstract

The early Baroque, characterized by the skeptical spirit of the 16th century, reaches its peak in the following century with Descartes' hyperbolic doubt. The purpose of this paper is to analyze two of Hume's works, "Dialogues Concerning Natural Religion" and "An Enquiry Concerning Human Understanding" in order to place the philosopher in the tradition of Baroque thought. First of all, we will show that David Hume pushed skepticism far beyond its ancient or Cartesian limits, attacking even our way of formulating sentences, which is a subjective one, the result of some psychological factors that cannot be the basis of science. Secondly, we will demonstrate that Hume's skepticism belongs to the late Baroque and is, by its radical character, a form of metaphysical denial of any universal certainties. In conclusion, Hume's skeptical spirit, manifested in relation to the authority constructed by the post-Westphalian ideology, overcame the past, which was at the time denied, and represents, from a philosophical point of view, the origin of the revolutionary spirit of the second half of the 18th century.
大卫-休谟的怀疑论--巴洛克晚期的表现形式
早期巴洛克以 16 世纪的怀疑精神为特征,在下个世纪以笛卡尔的双曲式怀疑达到顶峰。本文旨在分析休谟的两部作品《关于自然宗教的对话》和《关于人类理解的探究》,以便将这位哲学家置于巴洛克思想的传统之中。首先,我们将证明大卫-休谟将怀疑论推向了远古或笛卡尔的极限,甚至抨击了我们的遣词造句方式,这种方式是主观的,是一些心理因素的结果,不能作为科学的基础。其次,我们将证明休谟的怀疑论属于巴洛克晚期,就其激进性而言,它是形而上学否认任何普遍确定性的一种形式。总之,休谟的怀疑精神体现在与后西方式意识形态所构建的权威的关系中,它战胜了当时被否定的过去,并从哲学的角度代表了 18 世纪下半叶革命精神的起源。
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