“Six Linglong Windows, Eyes Hearing and Ears Seeing”: The Influence of the True Mind of the Śūraṅgama Sūtra on the Imageries of Guanyin and Sages in Song Literature

Religions Pub Date : 2024-07-08 DOI:10.3390/rel15070821
Tianzhu Zhu
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Abstract

The “Functional interchangeability of Six Roots” also known as the “Six Roots being unrestraint” is according to thoughts regarding Tathagatagarbha in the Śūraṅgama Sūtra, rather than mysterious personal experience of Buddhist meditation. The true mind and the delusive mind are distinguished in the Śūraṅgama Sūtra. The true mind recognizes the world through six roots so that the six roots can be functionally exchangeable. Scholars represented by SuShi, Huang Tingjian, and Hui Hong not only identify thoughts of the True mind of Buddhism but also apply them to literary creation, overthrowing previous aesthetics and literary performances and giving rise to changes. First, seeing with the ears and listening with the eyes originate from descriptions of Guanyin Bodhisattva’s enlightenment from hearing, whereby poets break through the limit of the eyes and ears. Second, burning incense, tasting tea, and admiring food become poetry themes. The emphases of those poems and essays are fantastic functions of the true mind. These changes are closely related to the new images of sages in their mind.
"六玲珑窗,耳聪目明":圣训》的本心对宋代文学中观音和圣贤形象的影响
六根功能互用 "又称 "六根不拘",是根据《圣训》中关于 "如来藏 "的思想,而非神秘的个人佛教禅修经验。圣训》中区分了真心和妄心。真心通过六根认识世界,因此六根在功能上是可以交换的。以苏轼、黄庭坚、惠洪为代表的学者,不仅明确了佛教的本心思想,而且将其运用到文学创作中,推翻了以往的审美观和文学表现,产生了变化。首先,耳观、目听源于观音菩萨闻声悟道的描写,诗人突破了眼耳的局限。其次,焚香、品茶、赏食成为诗歌主题。这些诗歌和散文的重点是真实心灵的奇妙功能。这些变化与圣贤心中的新形象密切相关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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