MTV Brazil: musical repertoire and construction of a televised youth (1990)

Carlos Eduardo Pereira de Oliveira
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Abstract

Objective/context: this article analyzes the construction of youth representations through the musical repertoire produced by MTV Brasil in its first year. The objective is to understand the musical segments most explored by the broadcaster during this period, as well as how to articulate their protagonism in the transformation of the “youth music” category, with a singular impact on Brazilian youth culture. mtv was a television channel aimed at young audiences, which started in the United States in 1981 and arrived in Brazil in 1990 through Grupo Abril, a national media conglomerate. The broadcast on Brazilian soil is based on the American format, showing musical videos from artists and specific musical segments, with a strong attraction for consumption in this sector of the population. Methodology: considering music as a social marker, this study analyzes the specific repertoire of musical segments and artists produced by the broadcaster as a means of identification. Therefore, an examination based on the first musical videos by Brazilian artists produced by the broadcaster and broadcast in its first year is proposed. Originality: the level of importance of certain media or media programs in the constitution of the identities of social agents, especially in the development of juvenile identities in the recent past, is only a little analyzed. Conclusions: it can be concluded that MTV operated as a musical authority for young people, acting as a curator of what they should consume to perform their youthful condition, acting as an artificer of youth. The broadcaster was based on its initial repertoire among a group of artists linked to rock music, with a strong influence on the recording industry in the 1990s and a decisive impact on Brazilian youth.
巴西 MTV:音乐曲目与电视青春的构建(1990 年)
目的/背景:本文通过巴西 MTV 电视台第一年制作的音乐节目,分析了青年形象的构建。MTV 是一个面向年轻观众的电视频道,1981 年在美国开播,1990 年通过国家媒体集团 Grupo Abril 传入巴西。在巴西本土播出的节目以美国模式为基础,播放艺术家的音乐视频和特定的音乐片段,对这部分人群的消费具有很强的吸引力。研究方法:考虑到音乐是一种社会标记,本研究分析了广播公司制作的特定音乐片段和艺人,将其作为一种识别手段。因此,建议以广播公司制作并在第一年播出的巴西艺术家的首批音乐视频为基础进行研究。独创性:对于某些媒体或媒体节目在社会主体身份构成中的重要程度,特别是在近期青少年身份发展中的重要程度,只进行了少量分析。结论:可以得出的结论是,MTV 是作为年轻人的音乐权威而运作的,它充当了年轻人为表现自己的青春状态而应该消费的东西的策划者,充当了青春的制造者。该广播公司以其最初的曲目为基础,由一群与摇滚乐有关的艺术家组成,在 20 世纪 90 年代对唱片业产生了巨大影响,并对巴西青年产生了决定性的影响。
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