{"title":"Peryferie ideologii — „patrząc z ukosa” na „Sanatorium pod Klepsydrą” Wojciecha J. Hasa i „Monument” Jagody Szelc","authors":"M. Jakubowska","doi":"10.19195/0860-116x.45.5","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":488678,"journal":{"name":"Studia Filmoznawcze","volume":"9 5","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studia Filmoznawcze","FirstCategoryId":"0","ListUrlMain":"https://doi.org/10.19195/0860-116x.45.5","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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