{"title":"Activism and gender equality policy in the Swedish film sector from the second wave to #metoo","authors":"","doi":"10.1016/j.wsif.2024.102942","DOIUrl":null,"url":null,"abstract":"<div><p>This article seeks to unpack variations in feminist film sector activists' articulations of collective grievances and demands for change since the mid-1970s and compare them to how gender equality is articulated as a problem in public policy. Based on an analysis of problem representations found in three instances of women's mobilization – from the second wave to #metoo – the article argues that there seems to be a consensus about the appropriate boundaries of what problems can be targeted by policy. Problem representations found in gender equality policies in the film sector do not verbalize structural inequalities. However, feminist activists interpreted them to support their ariculations of structural problems. Feminist activists problem represntations include testimonies of sexual harassment and violence, articulations of structural inequalities, and the promotion of women's separatism. The article also identifies a discursive dislocation produced by critics to gender equality reforms in conjunction to #metoo. The dislocation is produced by successfully opposing gender equality to artistic freedom and denying the existence of structural gender inequalities.</p></div>","PeriodicalId":47940,"journal":{"name":"Womens Studies International Forum","volume":null,"pages":null},"PeriodicalIF":1.5000,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.sciencedirect.com/science/article/pii/S0277539524000803/pdfft?md5=d154f6c0972840557579880bb5f6ddfc&pid=1-s2.0-S0277539524000803-main.pdf","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Womens Studies International Forum","FirstCategoryId":"90","ListUrlMain":"https://www.sciencedirect.com/science/article/pii/S0277539524000803","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"WOMENS STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
This article seeks to unpack variations in feminist film sector activists' articulations of collective grievances and demands for change since the mid-1970s and compare them to how gender equality is articulated as a problem in public policy. Based on an analysis of problem representations found in three instances of women's mobilization – from the second wave to #metoo – the article argues that there seems to be a consensus about the appropriate boundaries of what problems can be targeted by policy. Problem representations found in gender equality policies in the film sector do not verbalize structural inequalities. However, feminist activists interpreted them to support their ariculations of structural problems. Feminist activists problem represntations include testimonies of sexual harassment and violence, articulations of structural inequalities, and the promotion of women's separatism. The article also identifies a discursive dislocation produced by critics to gender equality reforms in conjunction to #metoo. The dislocation is produced by successfully opposing gender equality to artistic freedom and denying the existence of structural gender inequalities.
期刊介绍:
Women"s Studies International Forum (formerly Women"s Studies International Quarterly, established in 1978) is a bimonthly journal to aid the distribution and exchange of feminist research in the multidisciplinary, international area of women"s studies and in feminist research in other disciplines. The policy of the journal is to establish a feminist forum for discussion and debate. The journal seeks to critique and reconceptualize existing knowledge, to examine and re-evaluate the manner in which knowledge is produced and distributed, and to assess the implications this has for women"s lives.