{"title":"Trauma in Publishing","authors":"Renée Otmar","doi":"10.1007/s12109-024-09995-z","DOIUrl":null,"url":null,"abstract":"<p>We live in an extraordinary time in human history. Arguably, the most significant social changes have taken place in recent decades, including changes in policy and attitudes towards human rights, how we educate and treat children, towards sexual violence and abuse, sexuality and gender identification, to name just a few. In Australia, we have witnessed public responses through Royal Commissions and other public inquiries that have given voice to generations of people whose suffering had been silenced by formal and informal social mechanisms. Now, in the twenty-first century, the proliferation of new technologies, social media and social campaigns designed to engage people online as well as offline have empowered citizens to take control of their narratives, to tell their own stories. In the published literature, a great many have begun to reveal the nature and extent of traumas experienced by individuals, families, groups and entire communities. In the publishing industry, scant attention is given to the occupational risks faced by the workforce charged with disseminating these trauma stories: the editors, literary agents, proofreaders, publicists and other publishing personnel who are repeatedly exposed to trauma narratives. Even as publishing facilitates healing through story, it is also perpetuating—or at the very least enabling—the transmission of trauma: from author to publishing personnel, and quite possibly also from industry to reader. This paper posits that publishing as an industry is awash with trauma. Through the perspective of an industry insider, it explores the three faces of trauma in the publishing context: recounting trauma as a vehicle for healing and reconciliation, the trauma narrative as a commodity and vicarious trauma as an occupational hazard.</p>","PeriodicalId":44970,"journal":{"name":"PUBLISHING RESEARCH QUARTERLY","volume":"21 1","pages":""},"PeriodicalIF":1.2000,"publicationDate":"2024-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"PUBLISHING RESEARCH QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1007/s12109-024-09995-z","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"INFORMATION SCIENCE & LIBRARY SCIENCE","Score":null,"Total":0}
引用次数: 0
Abstract
We live in an extraordinary time in human history. Arguably, the most significant social changes have taken place in recent decades, including changes in policy and attitudes towards human rights, how we educate and treat children, towards sexual violence and abuse, sexuality and gender identification, to name just a few. In Australia, we have witnessed public responses through Royal Commissions and other public inquiries that have given voice to generations of people whose suffering had been silenced by formal and informal social mechanisms. Now, in the twenty-first century, the proliferation of new technologies, social media and social campaigns designed to engage people online as well as offline have empowered citizens to take control of their narratives, to tell their own stories. In the published literature, a great many have begun to reveal the nature and extent of traumas experienced by individuals, families, groups and entire communities. In the publishing industry, scant attention is given to the occupational risks faced by the workforce charged with disseminating these trauma stories: the editors, literary agents, proofreaders, publicists and other publishing personnel who are repeatedly exposed to trauma narratives. Even as publishing facilitates healing through story, it is also perpetuating—or at the very least enabling—the transmission of trauma: from author to publishing personnel, and quite possibly also from industry to reader. This paper posits that publishing as an industry is awash with trauma. Through the perspective of an industry insider, it explores the three faces of trauma in the publishing context: recounting trauma as a vehicle for healing and reconciliation, the trauma narrative as a commodity and vicarious trauma as an occupational hazard.
期刊介绍:
Publishing Research Quarterly is an international forum for the publication of original peer-reviewed papers covering significant research on and analyses of the full range of the publishing environment. The journal provides analysis of content development, production, distribution, and marketing of books, magazines, journals, and online information services in relation to the social, political, economic, and technological conditions that shape the publishing process, extending from editorial decision-making to order processing to print and online delivery. Publishing Research Quarterly publishes significant research reports and analyses of industry trends, covering topics such as product development, marketing, financial aspects, and print and online distribution as well as the relationship between publishing activities and publishing’s constituencies among industry, government, and consumer communities. Scholarly articles, research reports, review papers, essays, surveys, memoirs, statistics, letters, and notes that contribute to knowledge about how different sectors of the publishing industry operate are published as well as book reviews.