Unrecognizable Subjects, Grief, and Repair in Esther Dischereit’s Blumen Für Otello (2014)

IF 0.1 3区文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN

OXFORD GERMAN STUDIES Pub Date : 2024-05-29 DOI:10.1080/00787191.2024.2315888

Maria Roca Lizarazu

引用次数: 0

Abstract

This article examines the aesthetics, ethics, and politics of artistic grief work in the 2014 text assemblage Blumen für Otello by contemporary German Jewish artist and activist Esther Dischereit. ...

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Esther Dischereit的《Blumen Für Otello》（2014）中无法辨认的主题、悲伤与修复

本文探讨了德国当代犹太艺术家和活动家埃斯特-迪斯凯利特（Esther Dischereit）2014 年创作的文字组合《Blumen für Otello》中艺术悲伤工作的美学、伦理和政治。...

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

OXFORD GERMAN STUDIES LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-

CiteScore

0.10

自引率

50.00%

发文量

期刊介绍： Oxford German Studies is a fully refereed journal, and publishes in English and German, aiming to present contributions from all countries and to represent as wide a range of topics and approaches throughout German studies as can be achieved. The thematic coverage of the journal continues to be based on an inclusive conception of German studies, centred on the study of German literature from the Middle Ages to the present, but extending a warm welcome to interdisciplinary and comparative topics, and to contributions from neighbouring areas such as language study and linguistics, history, philosophy, sociology, music, and art history. The editors are literary scholars, but seek advice from specialists in other areas as appropriate.