{"title":"Conveying climate data through immersive sonification and interactive plant art in Unnatural Nature","authors":"Eloysa Zelada, Anıl Çamcı","doi":"10.1007/s00779-024-01807-7","DOIUrl":null,"url":null,"abstract":"<p>This paper presents the design, implementation, and evaluation of a sound installation titled “Unnatural Nature,” which explores climate change through data sonification and interactivity. The installation comprises two parts: (1) immersive sonification of climate data on global temperature, CO<sub>2</sub> concentration, Arctic and Antarctic ice sheet mass, and sea level variation, and (2) interactive engagement with physical plants using a custom sensor system. In the first part, the sonification employs a diverse range of sounds that model elements of a natural soundscape presented through higher-order Ambisonics to establish an immersive experience for the audience. In the second part, the sensor system embedded into live plants detects touch and inertial interactions that are mapped to audio and visual events. In this way, the audience is invited to reflect on our interconnectedness with nature and our active involvement in its transformation, as evidenced by the data presented in the first part of the installation. In this paper, we first discuss the implementation of our sonification, describing its technical and aesthetic development. We then offer details of our sensor system, discussing the interactive and audiovisual design of the second part of our installation. Finally, we present the results of a user study conducted to understand participants’ interpretation of and engagement with the sonification and evaluate its effectiveness in conveying climate data. We also offer insights from the first public presentation of the installation, highlighting the visitors’ reflections on their experiences. By merging data sonification, interactive plant art, and immersive audio, “Unnatural Nature” aims to foster environmental awareness, evoke emotional engagement with the subject matter, and encourage participation in climate change discourse.</p>","PeriodicalId":54628,"journal":{"name":"Personal and Ubiquitous Computing","volume":"18 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Personal and Ubiquitous Computing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1007/s00779-024-01807-7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 0
Abstract
This paper presents the design, implementation, and evaluation of a sound installation titled “Unnatural Nature,” which explores climate change through data sonification and interactivity. The installation comprises two parts: (1) immersive sonification of climate data on global temperature, CO2 concentration, Arctic and Antarctic ice sheet mass, and sea level variation, and (2) interactive engagement with physical plants using a custom sensor system. In the first part, the sonification employs a diverse range of sounds that model elements of a natural soundscape presented through higher-order Ambisonics to establish an immersive experience for the audience. In the second part, the sensor system embedded into live plants detects touch and inertial interactions that are mapped to audio and visual events. In this way, the audience is invited to reflect on our interconnectedness with nature and our active involvement in its transformation, as evidenced by the data presented in the first part of the installation. In this paper, we first discuss the implementation of our sonification, describing its technical and aesthetic development. We then offer details of our sensor system, discussing the interactive and audiovisual design of the second part of our installation. Finally, we present the results of a user study conducted to understand participants’ interpretation of and engagement with the sonification and evaluate its effectiveness in conveying climate data. We also offer insights from the first public presentation of the installation, highlighting the visitors’ reflections on their experiences. By merging data sonification, interactive plant art, and immersive audio, “Unnatural Nature” aims to foster environmental awareness, evoke emotional engagement with the subject matter, and encourage participation in climate change discourse.
期刊介绍:
Personal and Ubiquitous Computing publishes peer-reviewed multidisciplinary research on personal and ubiquitous technologies and services. The journal provides a global perspective on new developments in research in areas including user experience for advanced digital technologies, the Internet of Things, big data, social technologies and mobile and wearable devices.