Photography, capitalism and empire: A case study of the Handbook of Fiji

Max Quanchi
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引用次数: 0

Abstract

Photographically illustrated handbooks became popular in the 1890s and supplemented the official Annual Reports and Blue Books. Handbooks were both an instrument of propaganda and a prospectus for potential investors and settlers and served a documentary purpose by providing a glimpse of a colony’s natural resources, economy, European life and Indigenous peoples. The handbook phenomenon, globally, has been largely overlooked by historians, despite adding to the complex archive generated by mid-century colonies. This article analyses the way photographs operated in the handbooks, particularly the inclusions and omissions in the many editions and reprints in the 1924–43 period, to provide insights into the ways a British colony – Fiji – was being remade and reshaped by capitalism and colonialism.
摄影、资本主义和帝国:斐济手册》案例研究
图文并茂的手册在 19 世纪 90 年代开始流行,是官方年度报告和蓝皮书的补充。手册既是一种宣传工具,也是潜在投资者和定居者的招股说明书,并通过介绍殖民地的自然资源、经济、欧洲人的生活和原住民来达到文献记载的目的。在全球范围内,手册现象在很大程度上被历史学家所忽视,尽管它增加了世纪中期殖民地所产生的复杂档案。本文分析了照片在手册中的运作方式,特别是 1924-43 年期间许多版本和重印本中的收录和遗漏,以便深入了解英国殖民地--斐济--被资本主义和殖民主义改造和重塑的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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