Deconstruction of Cultural Location: Evaluation of Dvija Kanai as the Pioneer of Namasudra Literature

IF 0.3 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY
Jyoti Biswas
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引用次数: 0

Abstract

Despite being one of the largest ethnic communities in Bengal delta, the Namasudras have never been acknowledged in the domain of production of knowledge, especially literature. The present article is a maiden attempt to locate the root of their literary heritage and to evaluate their contribution to literature. In this endeavour, the article transcends the Namasudra history that began in 1812, and goes beyond it, especially in the medieval period. It argues that the medieval folk poet Dvija Kanai who composed a folk ballad named Mahua was the first literary representative of this community. In this respect, this article deconstructs the modern literary culture of Namasudras, namely Dalit literature in which they have made a significant contribution. It argues that, unlike the modern Dalit Namasudra writers, the folk poet Dvija Kanai was the pioneer of Namasudra literature. 1
文化定位的解构:对作为纳玛苏德文学先驱的德维贾-卡奈的评价
尽管纳玛苏德勒人是孟加拉三角洲最大的族群之一,但在知识生产领域,尤其是文学领域,他们从未得到过承认。本文是对纳玛苏德人文学遗产根源的首次尝试,也是对纳玛苏德人对文学贡献的一次评估。在这一努力中,文章超越了始于 1812 年的纳玛苏德人历史,并超越了这一历史,尤其是中世纪时期。文章认为,中世纪民间诗人 Dvija Kanai 创作了一首名为 Mahua 的民间歌谣,他是该族群的第一位文学代表。在这方面,本文解构了纳玛苏德人的现代文学文化,即他们做出重大贡献的达利特文学。文章认为,与现代达利特人纳玛苏德作家不同,民间诗人 Dvija Kanai 是纳玛苏德文学的先驱。1
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来源期刊
Contemporary Voice of Dalit
Contemporary Voice of Dalit SOCIAL SCIENCES, INTERDISCIPLINARY-
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153
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