Fragments of Armenian Miniature Art of the Ninth Century (Bagratid Kingdom Era)

Q1 Arts and Humanities
Scrinium Pub Date : 2024-06-06 DOI:10.1163/18177565-bja10105
Seda Manukyan, Gohar Chatyan
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Abstract

Regrettably, numerous examples of early Armenian miniatures have not survived to the present day. The era of Arab dominance had a negative impact on Armenian manuscript art, leading to the loss of the manuscripts copied between the VII and IX centuries and only a handful of copies and guard-leaf sewn into the manuscripts have survived from this period. In this study, we will focus on a particular guard-leaf fragment affixed into the Matenadaran manuscript (ms. M963), which is a palimpsest. The initial manuscript, employed as the foundation for the new one, is a Gospel written in բոլորգիծ երկաթագիր/bolorgits erkat’agir (the Armenian circular uncial script). The new manuscript dates back to the fourteenth century and is a Mashtots’ (ritual book). Deacon Յովհաննէս/John is its scribe and miniaturist, and it was commissioned by Bishop Stepanos. The guard-leaves found in the manuscript are believed to be remnants of the earlier Armenian uncial script manuscript into which the Mashtots’ was transcribed. This inference is drawn from a comparative analysis of the remaining traces of writing on other pages of the manuscript. The guard-leaves in the M963 manuscript are notable for their resemblance to Byzantine miniatures. These fragments represent another instance of Armenian miniatures from the ninth century, a comparative examination of which suggests the possibility that they were created in one of the scriptoria of the Bagratid kingdom, where familiarity with Byzantine artistic traditions was evident.
九世纪(巴格拉季德王国时代)亚美尼亚微型艺术片段
令人遗憾的是,许多早期亚美尼亚微型画都未能流传至今。阿拉伯人统治的时代对亚美尼亚手稿艺术产生了负面影响,导致七至九世纪抄写的手稿遗失,这一时期仅有少量副本和缝合在手稿中的护叶幸存下来。作为新手稿基础的最初手稿是用բոլորգիծե րկթաաիր/bolorgits erkat'agir(亚美尼亚圆角体文字)书写的福音书。新手稿可追溯到十四世纪,是一本 Mashtots'(仪式书)。执事ովհաննէս/约翰是该手稿的抄写员和微型绘图员,它是斯捷潘诺斯主教委托制作的。手稿中发现的护叶被认为是早期亚美尼亚黑体手稿的残留物,《马什托茨》就是抄录在这种手稿中的。这一推断是通过对手稿其他页面上残留的书写痕迹进行比较分析得出的。M963 手稿中的护叶因与拜占庭微型画相似而引人注目。这些残片代表了九世纪亚美尼亚微型画的另一个实例,对其进行比较分析表明,这些作品可能是在巴格拉特王国的一个经书馆中创作的,在那里,对拜占庭艺术传统的熟悉是显而易见的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Scrinium
Scrinium Arts and Humanities-Classics
CiteScore
0.50
自引率
0.00%
发文量
12
审稿时长
20 weeks
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