{"title":"Fragments of Armenian Miniature Art of the Ninth Century (Bagratid Kingdom Era)","authors":"Seda Manukyan, Gohar Chatyan","doi":"10.1163/18177565-bja10105","DOIUrl":null,"url":null,"abstract":"\nRegrettably, numerous examples of early Armenian miniatures have not survived to the present day. The era of Arab dominance had a negative impact on Armenian manuscript art, leading to the loss of the manuscripts copied between the VII and IX centuries and only a handful of copies and guard-leaf sewn into the manuscripts have survived from this period.\nIn this study, we will focus on a particular guard-leaf fragment affixed into the Matenadaran manuscript (ms. M963), which is a palimpsest. The initial manuscript, employed as the foundation for the new one, is a Gospel written in բոլորգիծ երկաթագիր/bolorgits erkat’agir (the Armenian circular uncial script).\nThe new manuscript dates back to the fourteenth century and is a Mashtots’ (ritual book). Deacon Յովհաննէս/John is its scribe and miniaturist, and it was commissioned by Bishop Stepanos. The guard-leaves found in the manuscript are believed to be remnants of the earlier Armenian uncial script manuscript into which the Mashtots’ was transcribed. This inference is drawn from a comparative analysis of the remaining traces of writing on other pages of the manuscript.\nThe guard-leaves in the M963 manuscript are notable for their resemblance to Byzantine miniatures. These fragments represent another instance of Armenian miniatures from the ninth century, a comparative examination of which suggests the possibility that they were created in one of the scriptoria of the Bagratid kingdom, where familiarity with Byzantine artistic traditions was evident.","PeriodicalId":38562,"journal":{"name":"Scrinium","volume":"57 3","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Scrinium","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18177565-bja10105","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
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Abstract
Regrettably, numerous examples of early Armenian miniatures have not survived to the present day. The era of Arab dominance had a negative impact on Armenian manuscript art, leading to the loss of the manuscripts copied between the VII and IX centuries and only a handful of copies and guard-leaf sewn into the manuscripts have survived from this period.
In this study, we will focus on a particular guard-leaf fragment affixed into the Matenadaran manuscript (ms. M963), which is a palimpsest. The initial manuscript, employed as the foundation for the new one, is a Gospel written in բոլորգիծ երկաթագիր/bolorgits erkat’agir (the Armenian circular uncial script).
The new manuscript dates back to the fourteenth century and is a Mashtots’ (ritual book). Deacon Յովհաննէս/John is its scribe and miniaturist, and it was commissioned by Bishop Stepanos. The guard-leaves found in the manuscript are believed to be remnants of the earlier Armenian uncial script manuscript into which the Mashtots’ was transcribed. This inference is drawn from a comparative analysis of the remaining traces of writing on other pages of the manuscript.
The guard-leaves in the M963 manuscript are notable for their resemblance to Byzantine miniatures. These fragments represent another instance of Armenian miniatures from the ninth century, a comparative examination of which suggests the possibility that they were created in one of the scriptoria of the Bagratid kingdom, where familiarity with Byzantine artistic traditions was evident.