Sõjad ja sõjakirjutus. Saateks sõjakirjutuse erinumbrile / Wars and War Writing: Preface to the Special Issue

Maarja Hollo, Anu Raudsepp
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Thus, in recent years, in connection with the 100th anniversary of the First World War, studies of related topics have become more frequent, including in Estonia. The article collection The First World War in Estonian Culture (2015) is the first step toward an investigation of the representations of the First World War in Estonian culture. In these studies, diaries and letters have particular value. Surviving private letters permit a better understanding of this great war and its meaning for Estonians mobilised for it. \nFrom the perspective of Estonian history, the most significant result of the First World War was the disintegration of the Russian Empire, which made possible the birth of Estonia – colonised for centuries –, as an independent state. Estonia was one of the nation-states that emerged from the disintegration of empires. In 2018, based on the Estonian experience and in an international framework, Anu Raudsepp and Tõnu Tannberg presented our perspective on the influence of the First World War on the creation of nation-states and resultant challenges to the writing of history textbooks. \nThough the independent Estonian republic was proclaimed on 24 February 1918, the declaration was followed by German occupation in 1918 and the defence of Estonia’s freedom against Soviet Russia in the War of Independence of 1918–1920. The 100th anniversary of the War of Independence also inspired new scholarly research. In 2019 Tõnu Tannberg edited a collection of articles entitled The Many Faces of the War of Independence. The 100th anniversary of the Tartu peace treaty was marked in 2020 by the publication of collective research by historians in a two-volume magisterial work on the history of the War of Independence. \nThe Second World War has been deemed the largest catastrophe in history caused by human hands, during which 60 or 70 million people perished and the destruction changed cityscapes and landscapes beyond recognition. The war reached Estonia in summer 1941 when Soviet occupation was replaced by German occupation. The war years have been represented in the works both of exile writers and writers who remained in Estonia after the war. In Estonian war literature, war poetry has a clear profile, authored by writers who fought in the Second World War on the German side and fled Estonia during the war: Arved Viirlaid, Harri Asi, Kalju Ahven, Einar Sanden, Jyri Kork, Tiit Lehtmets and Eduard Krants. Themes related to war are reflected in the prose of Arved Viirlaid, Ilmar Talve, Ilmar Jaks, Harri Asi, Heino Susi and Agu Kask. Arved Viirlaid’s central work Graves without Crosses I–II (1991, 2009, 2015) is the most popular and most frequently translated work representing the Second World War in Estonian literature. The Tartu cycle by Bernard Kangro and autobiographical short stories by Gunnar Neeme are also remarkable. \nIn Soviet Estonian literature the representation of the Second World War was ideologically constrained; but nevertheless two noteworthy autobiographical war novels were published in the 1970s: Ülo Tuulik’s documentary novel In the Path of War in 1974 (unabridged version 2010) and Juhan Peegel’s I Fell in the First Summer of War in 1979. \nIn addition to belles lettres our historical memory is shaped by autobiographical texts such as memoirs, life stories, autobiographies, letters and diaries, which enable the reader to gain insight into the changes that war brought to everyday life and how people learned to adjust to them. 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引用次数: 0

Abstract

This special issue on war writing consists of articles based on presentations at the War in Estonian Culture, Literature and History conference held 15–16 December 2022 at the Estonian Literary Museum. The conference focused on the question of the lasting influence and meaning of the two world wars in Estonian culture, literature and history writing. These questions were underscored by the Russian–Ukrainian war which broke out in February 2022 and which actualised memory of the Second World War, the commemoration of its victims, and a weighing of the consequences, influence and meanings of the war for different memory communities. Anniversaries of historical events that have changed world history call for new scholarly perspectives on the past. Thus, in recent years, in connection with the 100th anniversary of the First World War, studies of related topics have become more frequent, including in Estonia. The article collection The First World War in Estonian Culture (2015) is the first step toward an investigation of the representations of the First World War in Estonian culture. In these studies, diaries and letters have particular value. Surviving private letters permit a better understanding of this great war and its meaning for Estonians mobilised for it. From the perspective of Estonian history, the most significant result of the First World War was the disintegration of the Russian Empire, which made possible the birth of Estonia – colonised for centuries –, as an independent state. Estonia was one of the nation-states that emerged from the disintegration of empires. In 2018, based on the Estonian experience and in an international framework, Anu Raudsepp and Tõnu Tannberg presented our perspective on the influence of the First World War on the creation of nation-states and resultant challenges to the writing of history textbooks. Though the independent Estonian republic was proclaimed on 24 February 1918, the declaration was followed by German occupation in 1918 and the defence of Estonia’s freedom against Soviet Russia in the War of Independence of 1918–1920. The 100th anniversary of the War of Independence also inspired new scholarly research. In 2019 Tõnu Tannberg edited a collection of articles entitled The Many Faces of the War of Independence. The 100th anniversary of the Tartu peace treaty was marked in 2020 by the publication of collective research by historians in a two-volume magisterial work on the history of the War of Independence. The Second World War has been deemed the largest catastrophe in history caused by human hands, during which 60 or 70 million people perished and the destruction changed cityscapes and landscapes beyond recognition. The war reached Estonia in summer 1941 when Soviet occupation was replaced by German occupation. The war years have been represented in the works both of exile writers and writers who remained in Estonia after the war. In Estonian war literature, war poetry has a clear profile, authored by writers who fought in the Second World War on the German side and fled Estonia during the war: Arved Viirlaid, Harri Asi, Kalju Ahven, Einar Sanden, Jyri Kork, Tiit Lehtmets and Eduard Krants. Themes related to war are reflected in the prose of Arved Viirlaid, Ilmar Talve, Ilmar Jaks, Harri Asi, Heino Susi and Agu Kask. Arved Viirlaid’s central work Graves without Crosses I–II (1991, 2009, 2015) is the most popular and most frequently translated work representing the Second World War in Estonian literature. The Tartu cycle by Bernard Kangro and autobiographical short stories by Gunnar Neeme are also remarkable. In Soviet Estonian literature the representation of the Second World War was ideologically constrained; but nevertheless two noteworthy autobiographical war novels were published in the 1970s: Ülo Tuulik’s documentary novel In the Path of War in 1974 (unabridged version 2010) and Juhan Peegel’s I Fell in the First Summer of War in 1979. In addition to belles lettres our historical memory is shaped by autobiographical texts such as memoirs, life stories, autobiographies, letters and diaries, which enable the reader to gain insight into the changes that war brought to everyday life and how people learned to adjust to them. If the memoirs of former combatants have evinced the avoidance of personal points of view and preferences for the matter-of-fact style of reportage, the memoirs and other autobiographical texts of civilians are dominated by the judgments, moods and feelings of the writer as a person. Historical writing on the Second World War is diverse. If from the perspective of western European countries, the main embodiment of evil was Hitler, the situation was much more complicated for eastern European countries. Lack of knowledge of acts of violence committed during the Second World War and later repressions in the countries of eastern Europe and the disregard for international war law by Germany and the Soviet Union have had a significant impact on how the Second World War has been handled in research by historians in Europe and the United States. In most research on the Second World War matters related to the Baltic States are regarded as unimportant compared to the larger processes that took place. Nevertheless, the Baltic states were strategically important both for Hitler’s Germany and the Soviet Union, making the Baltic question a bone of contention among the allied countries. Over time events that happened in eastern European countries during the Second World War have come increasingly to the fore in scholarly accounts with radically different viewpoints: Bloodlands: Europe between Hitler and Stalin (2010) by Timothy Snyder, Vanished Kingdoms: The History of Half-Forgotten Europe (2011) by Norman Davies, Soldiers of Memory: Second World War and its Aftermath in Estonian Post-Soviet Life Stories (2011, ed. by Ene Kõresaar). The special issue on war writing contains eight articles on the topic of war, one article on a free topic, a series of translations from the publishing house Loodus, and the archival discovery section in which a letter from the First World War is discussed.
战争与战争写作。特刊序言/战争与战争写作:特刊序言
对第二次世界大战期间在东欧国家发生的暴力行为和后来的镇压缺乏了解,以及德国和苏联无视国际战争法,对欧洲和美国历史学家在研究中如何处理第二次世界大战产生了重大影响。在大多数关于第二次世界大战的研究中,与所发生的更大进程相比,与波罗的海国家有关的问题被认为并不重要。然而,波罗的海国家对于希特勒的德国和苏联来说都具有重要的战略意义,这使得波罗的海问题成为盟国之间争论的焦点。随着时间的推移,第二次世界大战期间发生在东欧国家的事件越来越多地出现在观点截然不同的学术著作中:血地》(Bloodlands:蒂莫西-斯奈德(Timothy Snyder)著的《血地:希特勒与斯大林之间的欧洲》(2010 年)、《消失的王国:诺曼-戴维斯(Norman Davies)的《消失的王国:半被遗忘的欧洲史》(2011 年)、《记忆中的士兵》(Soldiers of Memory:第二次世界大战及其后果在爱沙尼亚后苏联生活故事中的体现》(2011 年,由 Ene Kõresaar 编辑)。关于战争写作的特刊包含八篇关于战争主题的文章、一篇关于自由主题的文章、一系列来自 Loodus 出版社的译文,以及档案发现部分,其中讨论了一封来自第一次世界大战的信件。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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