Isabel Pont-Niclòs, Y. Echegoyen-Sanz, A. Martín-Ezpeleta
{"title":"Creative Self-Perception of Spanish Secondary Teachers","authors":"Isabel Pont-Niclòs, Y. Echegoyen-Sanz, A. Martín-Ezpeleta","doi":"10.15503/jecs2024.1.231.246","DOIUrl":null,"url":null,"abstract":"Aim. The aim of this research is to analyse the creative self-perception of Spanish secondary teachers in different domains considering that creativity is increasingly being considered a key educational objective by organisations such as the Organisation for Economic Co-operation and Development (OECD) or educational laws, such as the recent Spanish one (Ministerio de Educación, Formación Profesional y Deportes Español, 2020).\nMethods. Participants were 100 Spanish in-service teachers at the level of secondary education. They completed the K-DOCS questionnaire (Kaufman, 2012), in which the self-perception of creativity in different domains (Self/Everyday, Scholarly, Performance, Scientific/Mechanic and Artistic) is assessed. The influence of variables such as gender, age, years of experience and area of teaching are analysed.\nResults. The analysis shows that Spanish secondary teachers have moderate-to-high perception of their own creativity. Although no statistically significant differences were found according to age or years of expertise, the scores in the Scientific/Mechanic domain were found to be significantly different according to gender. Separate creativity profiles were found for teachers with unrelated areas of expertise.\nConclusion. This study aims to enhance understanding into the role of teachers in the promotion/hindering of creativity in classrooms. Results show a moderate creative self-perception with differences across domains, which logically conditions their conceptualisation of creativity and the importance given to it in classrooms. The importance of teacher training contributing to improve it is valued and key aspects are pointed out, such as the relevance of promoting a Centre Creative Plan with specific actions of a transdisciplinary nature in schools.","PeriodicalId":30646,"journal":{"name":"Journal of Education Culture and Society","volume":null,"pages":null},"PeriodicalIF":1.6000,"publicationDate":"2024-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Education Culture and Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15503/jecs2024.1.231.246","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"SOCIAL SCIENCES, INTERDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
Aim. The aim of this research is to analyse the creative self-perception of Spanish secondary teachers in different domains considering that creativity is increasingly being considered a key educational objective by organisations such as the Organisation for Economic Co-operation and Development (OECD) or educational laws, such as the recent Spanish one (Ministerio de Educación, Formación Profesional y Deportes Español, 2020).
Methods. Participants were 100 Spanish in-service teachers at the level of secondary education. They completed the K-DOCS questionnaire (Kaufman, 2012), in which the self-perception of creativity in different domains (Self/Everyday, Scholarly, Performance, Scientific/Mechanic and Artistic) is assessed. The influence of variables such as gender, age, years of experience and area of teaching are analysed.
Results. The analysis shows that Spanish secondary teachers have moderate-to-high perception of their own creativity. Although no statistically significant differences were found according to age or years of expertise, the scores in the Scientific/Mechanic domain were found to be significantly different according to gender. Separate creativity profiles were found for teachers with unrelated areas of expertise.
Conclusion. This study aims to enhance understanding into the role of teachers in the promotion/hindering of creativity in classrooms. Results show a moderate creative self-perception with differences across domains, which logically conditions their conceptualisation of creativity and the importance given to it in classrooms. The importance of teacher training contributing to improve it is valued and key aspects are pointed out, such as the relevance of promoting a Centre Creative Plan with specific actions of a transdisciplinary nature in schools.
研究目的考虑到经济合作与发展组织(OECD)等组织或最近的西班牙教育法(Ministerio de Educación, Formación Profesional y Deportses Español, 2020)等教育法越来越多地将创造性视为一项重要的教育目标,本研究旨在分析西班牙中学教师在不同领域的创造性自我认知。参与者为 100 名西班牙在职中学教师。他们填写了 K-DOCS 问卷(Kaufman,2012 年),其中对不同领域(自我/日常、学术、表演、科学/机械和艺术)的创造力进行了自我认知评估。分析了性别、年龄、工作年限和教学领域等变量的影响。分析表明,西班牙中学教师对自身创造力的认知度为中高水平。虽然在统计上没有发现年龄或专业年限方面的显著差异,但科学/机械领域的得分却因性别而有显著差异。结论。本研究旨在进一步了解教师在促进/阻碍课堂创造力方面所扮演的角色。研究结果表明,不同领域的教师对创造性的自我认知程度不一,这在逻辑上决定了他们对创造性的理解以及在课堂上对创造性的重视程度。教师培训对提高创造力的重要性得到了重视,并指出了一些关键方面,如在学校推广具有跨学科性质的具体行动的中心创造计划的相关性。