MUSIC AS AN ACTUALIZATION OF HISTORY: WORLDVIEW ORIENTATIONS OF TEACHER AND STUDENT TRAINING

O. Komarovska
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Abstract

The article reveals the role of art in actualizing the knowledge of national history by the younger generation, aimed at re-evaluating the meanings that were distorted over the centuries by the Russian and later Soviet empires. The author’s focus is on historical events in Ukrainian history of the 20th and 21st centuries, which have dramatic and tragic meanings. Ukrainian-centrism is defined as the basis for forming the worldview orientations of young people through art and for re-evaluating the values of all subjects of the educational process. Ukrainianness of artistic thinking as the foundation of national-patriotic education is positioned as a point of reference and at the same time a reference point for Ukrainian-centrism as a technology of musical education. A selective review of musical works dedicated to the events of the Holodomor, the Chernobyl tragedy, Ukraine’s struggle for independence on the Maidan in 2014, during the anti-terrorist operation, and the military realities of the full-scale Russian invasion of Ukraine has been carried out. Among the authors of the works to which the article appeals are L. Dychko, S. Luniov, V. Polova, V. Sylvestrov, Ye. Stankovych, K. Tsepkolenko, Yu. Shevchenko, O. Shchetynskyi, O. Yakovchuk, S. Yarunskyi et al. The landmark of psychological and pedagogical cultivation of an optimistic attitude towards the future as a vital need for Ukrainians is singled out. It is a key aspect of communication with pupils and student youth in the educational process based on music that actualizes historical events. The complexity of such communication regarding the embodiment of tragic images is emphasized. The necessity of forming a positive image of the future Ukraine through music that embodies the dramatic pages of Ukrainian history is emphasized. It is important for establishing the national identity of the youth and forming the motivation to protect one’s own cultural heritage.
音乐是历史的现实化:教师和学生培训的世界观取向
文章揭示了艺术在让年轻一代了解民族历史方面的作用,目的是重新评价几个世纪以来被俄罗斯帝国和后来的苏维埃帝国歪曲的意义。作者关注的重点是 20 世纪和 21 世纪乌克兰历史上具有戏剧性和悲剧性意义的历史事件。乌克兰中心主义被定义为通过艺术形成年轻人世界观取向和重新评估教育过程中所有学科价值观的基础。作为民族-爱国主义教育基础的艺术思维的乌克兰性被定位为一个参照点,同时也是作为音乐教育技术的乌克兰中心主义的参照点。有选择性地回顾了大饥荒事件、切尔诺贝利悲剧、2014 年乌克兰在独立广场的独立斗争、反恐行动期间以及俄罗斯全面入侵乌克兰的军事现实的音乐作品。文章所涉及作品的作者包括 L. Dychko、S. Luniov、V. Polova、V. Sylvestrov、Ye.Stankovych, K. Tsepkolenko, Yu.Shevchenko, O. Shchetynskyi, O. Yakovchuk, S. Yarunskyi et al.指出,在心理和教学方面培养对未来的乐观态度是乌克兰人的重要需求。这是在以音乐为基础的教育过程中与学生和青年学生交流的一个重要方面,而音乐则是历史事件的真实写照。强调了这种交流在体现悲剧形象方面的复杂性。强调有必要通过体现乌克兰历史戏剧性篇章的音乐来塑造未来乌克兰的积极形象。这对建立青年的民族认同感和形成保护自身文化遗产的动机非常重要。
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