Absurdism: Aesthetic category in the story “Un grito” (1947) by Carlos Salazar Herrera

Kimberly Huertas-Arredondo
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Abstract

The purpose of this article is to analyze the features of Camusian absurdism present in the short story “Un grito” (“A Scream”) (1947), by the Costa Rican writer Carlos Salazar Herrera. Specifically, it will focus on the expression of the absurdism and what this category implies in the configuration of the textual interweaving of the story. As theoretical-methodological references, The Myth of Sisyphus (1942) by the Algerian-French writer Albert Camus, and the theory of intertextuality by Julia Kristeva (1978). In this analysis, it was proved that in the text under study there are elements of the absurdism that demonstrate the influence of Camusian thought in Salazar Herrera’s storytelling.
荒诞派:卡洛斯-萨拉萨尔-埃雷拉的故事《Un grito》(1947 年)中的美学范畴
本文旨在分析哥斯达黎加作家卡洛斯-萨拉萨尔-埃雷拉(Carlos Salazar Herrera)1947 年创作的短篇小说《一声尖叫》(Un grito)中存在的加缪式荒诞主义特征。具体而言,它将重点关注荒诞主义的表现形式,以及这一范畴在故事文本交织结构中的含义。作为理论和方法论的参考资料,阿尔及利亚裔法国作家阿尔贝-加缪的《西西弗斯的神话》(1942 年)和朱莉娅-克里斯蒂娃的互文性理论(1978 年)。分析结果证明,在所研究的文本中,存在着荒诞主义的元素,证明了加缪思想对萨拉查-埃雷拉讲故事的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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