The Sound and Function of Different Language Particles in Zhuang Songs of Some Western Areas in Guangxi

Q3 Arts and Humanities
A. F. Musib, Lin Zhi [林芝]
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引用次数: 0

Abstract

The often as “ornamental” syllables named language elements refer to song-text particles, sometimes also named ‘vocables’, or appellations interspersed among the lyrics during the actual singing process of the singer. It appears to some extent in the Zhuang singer's singing of songs in various regions. Unfortunately, these syllables are often overlooked in textual records because most of them cannot be interpreted in terms of their actual lexical meaning when they are independent of the wording of the phrase. The specific expressions of the singers play an essential role and are an inseparable part of Zhuang songs. If the core text of the lyrics is like the beam of the house, then the vocables are the bricks of the wall. The combination of the two can build a house of Zhuang songs. Based on audio data of Zhuang songs collected the border and junction areas of western Guangxi, this study compares the difference between the songbook texts written by the singers that need a memory tool and the actual singing syllables used. For that, the authors interviewed the singers, analyzing the changes produced in sound by the vocables or short sentences in the singing process and summarizing their laws and functions within the singing events.
广西西部部分地区壮族歌谣中不同语素的音色与功能
通常作为 "装饰性 "音节命名的语言元素,是指歌词中的歌词颗粒,有时也被命名为 "声母",或在歌手实际演唱过程中穿插在歌词中的称谓。它在一定程度上出现在各地壮族歌手演唱的歌曲中。遗憾的是,这些音节在文字记录中往往被忽略,因为当它们独立于词句的措辞之外时,大多无法从其实际的词汇意义来解释。演唱者的具体表现起着至关重要的作用,是壮歌不可分割的一部分。如果说歌词的核心文本是房子的梁柱,那么词汇就是墙壁的砖块。二者的结合可以建造壮歌的房子。本研究以在广西西部边境和交界地区采集到的壮族歌曲音频资料为基础,比较了歌者所写的需要记忆工具的歌谱文本与实际使用的歌唱音节之间的差异。为此,作者对歌手进行了访谈,分析了歌唱过程中声母或短句在声音上产生的变化,总结了它们在歌唱活动中的规律和作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Asian-European Music Research Journal
Asian-European Music Research Journal Arts and Humanities-Museology
CiteScore
0.30
自引率
0.00%
发文量
11
审稿时长
15 weeks
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