{"title":"Communicating overpopulation to a global audience: Disney’s Family Planning (1968)","authors":"Patrick Ellis, Jesse Olszynko-Gryn","doi":"10.1017/s1740022824000068","DOIUrl":null,"url":null,"abstract":"\n Family Planning (1968), a short, animated film featuring Donald Duck, was translated into at least twenty-four languages and viewed in the span of two years by nearly 1.4 million people around the world. Commissioned by the Rockefeller’s Population Council and expensively produced by Disney, the movie represents the international family planning industry’s single largest investment in a media object. It has since been perceived as largely effective in achieving its goal of promoting contraception to culturally diverse audiences. Using an unusually rich collection of archival records and other previously neglected sources, we demonstrate how Family Planning failed to connect with local viewerships. Our historical analysis recovers the Population Council’s homogenizing and infantilizing view of the global poor and critiques of this view that emanated from the Global South – not just with the benefit of hindsight but at the time. We conclude that the Rockefeller–Disney collaboration was ill-suited for communicating to a heterogeneous, global audience, and that a misplaced optimism in animation as a universal language all but guaranteed failure.","PeriodicalId":46192,"journal":{"name":"Journal of Global History","volume":null,"pages":null},"PeriodicalIF":1.7000,"publicationDate":"2024-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Global History","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1017/s1740022824000068","RegionNum":1,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0
Abstract
Family Planning (1968), a short, animated film featuring Donald Duck, was translated into at least twenty-four languages and viewed in the span of two years by nearly 1.4 million people around the world. Commissioned by the Rockefeller’s Population Council and expensively produced by Disney, the movie represents the international family planning industry’s single largest investment in a media object. It has since been perceived as largely effective in achieving its goal of promoting contraception to culturally diverse audiences. Using an unusually rich collection of archival records and other previously neglected sources, we demonstrate how Family Planning failed to connect with local viewerships. Our historical analysis recovers the Population Council’s homogenizing and infantilizing view of the global poor and critiques of this view that emanated from the Global South – not just with the benefit of hindsight but at the time. We conclude that the Rockefeller–Disney collaboration was ill-suited for communicating to a heterogeneous, global audience, and that a misplaced optimism in animation as a universal language all but guaranteed failure.
期刊介绍:
Journal of Global History addresses the main problems of global change over time, together with the diverse histories of globalization. It also examines counter-currents to globalization, including those that have structured other spatial units. The journal seeks to transcend the dichotomy between "the West and the rest", straddle traditional regional boundaries, relate material to cultural and political history, and overcome thematic fragmentation in historiography. The journal also acts as a forum for interdisciplinary conversations across a wide variety of social and natural sciences. Published for London School of Economics and Political Science