Picturing Barnaby Rudge: The Authorized and the Extra Illustrations

IF 0.7 1区 文学 0 LITERATURE, BRITISH ISLES
Kathy Rees
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引用次数: 0

Abstract

Abstract:

This article explores the function and significance of "extra-illustrations" by discussing the steel-engraved plates of two episodes in Barnaby Rudge by Thomas Sibson (1817–44) in relation to Hablot Knight Browne's (1815–82) wood-engravings of the same scenes. While Browne's designs are carefully integrated into the text by meticulous placement, Sibson's plates were intended to stand alone in a frame or collector's portfolio. Browne take us deeper into the story by intensifying the drama of the moment, whereas Sibson often makes allusions that take the viewer beyond the narrative. The comparison between Sibson's and Browne's methods reveals a range of issues pertaining to British illustration culture and practices of the 1840s, showing particularly how the differences in form, mode, timing of issue, the presence or absence of captions, and the circumstances of display affected reception.

描绘巴纳比-鲁吉正版和额外插图
摘要:本文通过讨论托马斯-西布森(Thomas Sibson,1817-44 年)为《巴纳比-鲁吉》中两个情节绘制的钢板雕刻版画与哈布罗特-奈特-布朗(Hablot Knight Browne,1815-82 年)为相同场景绘制的木板雕刻版画,探讨了 "插图外 "的功能和意义。布朗的设计通过精心的摆放与文本融为一体,而西布森的版画则是为了单独摆放在画框或收藏家的作品集中。布朗通过强化瞬间的戏剧性将我们带入更深的故事中,而西布森则经常用典故将观众带出叙事之外。通过比较西布森和布朗的创作方法,我们可以发现与 19 世纪 40 年代英国插图文化和创作实践相关的一系列问题,特别是形式、模式、发行时间、标题的有无以及展示环境的不同对读者接受程度的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
DICKENS QUARTERLY
DICKENS QUARTERLY LITERATURE, BRITISH ISLES-
CiteScore
0.20
自引率
16.70%
发文量
33
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