Stigmatisation, Marginalisation, and Agency in Keluarga Cemara, an Indonesian Young Adult Series

I. Sachmadi, Aquarini Priyatna, Lina Meilinawati Rahayu
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Abstract

Keluarga Cemara [Cemara's family], a series by Arswendo Atmowiloto, displays how the wealthy characters stigmatise the characters living in poverty. The series centres on a petite-bourgeois family shifting from riches to rags, but it entails no downgrading shift from their class to the working class. The depiction of the family members and their interaction with other people shows that, despite the shift of economic capital, the family maintains their habitus as the petit bourgeoisie. The series presents a further problem in the way that this poverty-stricken family responds to the stigmatisation by accepting their dispossession of economic capital but objecting that of cultural capital, showing an exercise of agency in negotiating their position in the petit-bourgeois class. The wealthy disapprove of their cultural capital and marginalise them, revealing the desire of the wealthy to be distinct from them. We argue that in presenting the marginalisation practised by the wealthy and the agency by the low-wealth family, the series portrays the field of struggle where both try to maintain their position in social space. As such, the series clears an open textual space that allows the young adult readership to question the social structural imaginary that they inhabit.
印度尼西亚青少年丛书《Keluarga Cemara》中的污名化、边缘化和代理权
阿斯旺多-阿特莫维洛托(Arswendo Atmowiloto)的系列作品《塞马拉一家》(Keluarga Cemara)展示了富裕阶层如何鄙视贫困阶层。该系列以一个小资产阶级家庭从富裕变为贫穷为中心,但并没有从他们的阶级降格为工人阶级。对家庭成员的描写以及他们与其他人的互动表明,尽管经济资本发生了变化,但这个家庭仍然保持着小资产阶级的习性。该系列剧提出的另一个问题是,这个贫困家庭对污名化的回应方式是,接受经济资本的剥夺,但反对文化资本的剥夺,显示了他们在小资产阶级地位谈判中的能动性。富人不认可他们的文化资本,并将他们边缘化,这揭示了富人希望与他们区分开来的愿望。我们认为,通过展现富人的边缘化和低财富家庭的能动性,该系列剧描绘了双方都试图维持自己在社会空间中的地位的斗争领域。因此,该系列开辟了一个开放的文本空间,让青少年读者能够质疑他们所居住的社会结构想象。
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