Mermaids and bin chickens: Australian teenagers’ engagement with screen stories in the on-demand age

IF 1.5 3区 文学 Q2 COMMUNICATION
Anna Potter, Clare Archer-Lean, Phoebe Macrossan, Harriot Beazley
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引用次数: 0

Abstract

Australian teenagers have grown up with abundant choices in digital screen entertainment including social media, gaming, and global streaming video services such as Netflix. This participatory audience study investigates how, why and to what extent Australian teenagers engage with drama and movies in their daily lives, including Australian stories. The research findings show that Australian teens enjoy watching long-form screen stories on their favourite streaming services and that on-demand delivery is critical to their viewing preferences. Although many remember with affection the Australian drama they watched as children, teens now place a low priority on a screen story being Australian. A sophisticated audience that particularly values diverse and inclusive representation, teens’ deprioritising of Australian content – and linear television – has profound implications for policy, for Australian screen production and for public service broadcasters the Australian Broadcasting Corporation and the Special Broadcasting Service.
美人鱼和垃圾桶里的鸡:澳大利亚青少年在按需时代对银幕故事的参与
澳大利亚青少年在成长过程中接触了大量数字屏幕娱乐,包括社交媒体、游戏和 Netflix 等全球流媒体视频服务。这项参与式观众研究调查了澳大利亚青少年在日常生活中如何、为何以及在多大程度上接触戏剧和电影,包括澳大利亚故事。研究结果表明,澳大利亚青少年喜欢在他们喜爱的流媒体服务上观看长篇银幕故事,而点播服务对他们的观看偏好至关重要。尽管许多人对小时候看过的澳大利亚电视剧记忆犹新,但现在青少年并不太看重屏幕故事是否是澳大利亚的。作为特别重视多元化和包容性表现的成熟受众,青少年对澳大利亚内容和线性电视的不重视对政策、澳大利亚屏幕制作以及公共服务广播公司(澳大利亚广播公司和特别广播服务公司)都有着深远的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
7.10
自引率
4.20%
发文量
66
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