{"title":"From Absence to Excess: Black Grief and Afrofuturism in Colombian Hip-Hop","authors":"Marcelo Carosi","doi":"10.1080/14682737.2024.2333140","DOIUrl":null,"url":null,"abstract":"This article examines the videoclip Quilo, made by the Colombian hip-hop duo DxD and circulated online. Using bodily technologies such as hairstyles, clothing, and posing, Quilo depicts how the fut...","PeriodicalId":501115,"journal":{"name":"Hispanic Research Journal","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2024-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Hispanic Research Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14682737.2024.2333140","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This article examines the videoclip Quilo, made by the Colombian hip-hop duo DxD and circulated online. Using bodily technologies such as hairstyles, clothing, and posing, Quilo depicts how the fut...