Jumpa Penggemar Artis dari Lensa Interaksi Parasosial Virtual

R. Puspita, Titis Nurwulan
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Abstract

Meeting fans is something that is difficult to realize during the Covid-19 pandemic. However, the entertainment industry reproduces the relationship between fans and celebrities through social media-mediated fan encounters in order to balance the impact of business and intimate relationships with fans. Using a qualitative content analysis approach, the author explores celebrity and fan interactions at South Korean celebrity Lee Sung Kyung's fanmeeting via TikTok using Horton and parasocial theory. Previous research has not explained the interactions between celebrities and fans when fanmeetings take place in virtual spaces with a qualitative approach. The form of virtual fanmeetings actually repeats previous offline fanmeetings. Both sell artist personas as commodities. However, the absence of physical interaction makes these virtual fanmeetings very difficult to distinguish from broadcasts on conventional television. The author believes that fanmeetings are offline products that cannot be replaced with virtual content because they do not involve voluntary interactions such as hugs, handshakes, or other physical interactions that play a role in physical and emotional intimacy. This research strengthens Horton & Wohl's (11956) that the interaction between the audience and the celebrity is actually one-sided, not dialectical, controlled by the celebrity, and there is no mutual development of the relationship. Furthermore, celebrity parasocial interaction in this study is shown as "selective self-presentation of the sender of the message" in mediated communication.
从虚拟准社交互动的角度认识艺术家粉丝
在 "Covid-19 "大流行期间,与粉丝见面是一件很难实现的事情。然而,娱乐业通过以社交媒体为媒介的粉丝见面会再现了粉丝与名人之间的关系,以平衡商业影响和与粉丝的亲密关系。作者采用定性内容分析法,运用霍顿和寄生社会理论,探讨了韩国明星李成京通过 TikTok 举行粉丝见面会时明星与粉丝之间的互动。以往的研究没有用定性方法解释粉丝见面会在虚拟空间举行时明星与粉丝之间的互动。虚拟粉丝见面会的形式实际上重复了以往的线下粉丝见面会。两者都是将艺人角色作为商品出售。然而,由于没有身体上的互动,这些虚拟粉丝见面会很难与传统的电视广播区分开来。作者认为,粉丝见面会是线下产品,不能被虚拟内容取代,因为它们不涉及拥抱、握手等自愿互动,也不涉及其他在身体和情感亲密关系中发挥作用的身体互动。这项研究加强了 Horton & Wohl(11956)的观点,即观众与名人之间的互动实际上是单方面的,不是辩证的,是由名人控制的,不存在相互发展的关系。此外,本研究中的名人寄生互动表现为媒介传播中 "信息发送者的选择性自我呈现"。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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