‘The means of life’: Civilizational witnessing in Write to Life’s Souvenirs

Sarah Stewart
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Abstract

Discourses underpinning UK policies such as Fundamental British Values and the Hostile Environment draw justification from framing asylum seekers as threats to western civilizational values and the British way of life. In this article, I examine Write to Life’s play Souvenirs as a remarkable example of ethically informed theatre with a conceptually refined understanding of the practicalities of civilization. Using Elaine Scarry’s theorization of the sheltering room as vital facilitator of civilization, the article explores how this testimonial play intervenes in mainstream discourses that work to hamper the two-way exchange that Kelly Oliver identifies as the foundational witnessing structure of subjectivity. I argue that this framework for interpretation highlights Souvenirs’s framing concepts of the garden and the souvenir scar as illustrating collective possibilities for co-creating civilization based on negotiation rather than enforced legibility.
生活的手段":写给生命的纪念品》中的文明见证
英国的基本价值观和敌对环境等政策的基础论述将寻求庇护者视为对西方文明价值观和英国生活方式的威胁。在本文中,我将研究《写给生活》(Write to Life)的剧本《纪念品》(Souvenirs),将其视为一个具有伦理意义的戏剧范例,在概念上对文明的现实性有着精炼的理解。文章运用伊莱恩-斯卡瑞(Elaine Scarry)关于庇护室作为文明重要促进因素的理论,探讨了这部见证剧如何干预主流话语,这些话语阻碍了双向交流,而凯利-奥利弗(Kelly Oliver)将双向交流视为主体性的基本见证结构。我认为,这一解释框架突出了《纪念品》中花园和纪念品疤痕的框架概念,说明了在协商而非强制可识别性的基础上共同创造文明的集体可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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