Femininity, love, and alienation: the genius of The Second Sex

Kate Kirkpatrick
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引用次数: 0

Abstract

This article presents an axiological reading of Simone de Beauvoir’s The Second Sex, reframing its most famous sentence ‘one is not born, but becomes, a woman’ as a claim about femininity, love, and alienation under particular conditions of sexual hierarchy. Because this sentence is often taken to express the thesis of The Second Sex on social constructionist readings, Section 1 rejects the aptness of this approach on three grounds. Section 2 outlines an alternative, axiological reading, which better attends to all of the work’s parts, and to Beauvoir’s emphasis on the concrete inseparability of the physiological, sexual, economic, legal, religious, moral, and aesthetic dimensions of women’s situations. Section 3 turns to the sister ‘one is not born’ clause, in Volume I—‘one is not born, but becomes, a genius’—to show that Beauvoir’s account of frustrated freedom in The Second Sex concerns not only alienated labour, sex, and love, but also aesthetic creativity and moral invention. The article arises from a British Academy Lecture delivered on 17 October 2023.
女性气质、爱情和异化:《第二性》的天才之处
本文对西蒙娜-德-波伏娃的《第二性》进行了公理解读,将其中最著名的句子 "一个人不是生来就是女人 "重构为在特定的性等级制度条件下关于女性特质、爱情和异化的主张。在社会建构主义的解读中,这句话常常被用来表达《第二性》的论点,因此第 1 节基于三个理由驳斥了这种方法的恰当性。第 2 节概述了另一种公理式的解读,这种解读更好地关注了作品的所有部分,以及波伏娃对女性处境中生理、性、经济、法律、宗教、道德和审美等方面的具体不可分割性的强调。第 3 节转向第一卷中的姊妹篇 "一个人不是天生的"--"一个人不是天生的,而是成为天才的"--以说明波伏娃在《第二性》中对受挫自由的论述不仅涉及异化的劳动、性和爱,还涉及审美创造力和道德发明。本文源于 2023 年 10 月 17 日发表的英国科学院演讲。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
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