The Symbolic Architecture and Meaning of the Church of GKI Jahja Sasari, Biak Numfor Regency, Papua

Deasy Widyastomo, Wika Matana Nion
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Abstract

The architecture of the Church of GKI Jahja Sasari building displays symbols and ornaments taken from the Bible, which tell of the presence of the Trinity of God on earth as an expression of faith and a sacred and majestic religious atmosphere. Symbols in the form of two-dimensional and three-dimensional objects are arranged to beautify the church and have a spiritual meaning as a great place of worship. Symbols and symbolic ornaments are placed inside the church (interior) and outside the church (exterior), functioning to support the church atmosphere visually and to help the appreciation of faith aesthetically, psychologically, and religiously. The Church GKI Jahja Sasari in the Aimando Padaido village islands of Biak Numfor Regency is a Protestant Christian Church characterized by traditional and modern architecture, which is equipped with symbols and ornaments on the interior and exterior of the church which tries to maintain the ornaments and symbols of the church built by their ancestors in 1962. The ornaments built by the ancestors were retained in the new church building, reflecting the presence of biblical symbols in the modern architectural principles underlying the church design. The research problem is the existence of symbols and symbolic ornaments in the Church of GKI Jahja Sasari, which combines traditional and modern architecture and presents aesthetic, psychological, and religious aspects. The study was carried out by analyzing secondary data (photos and text), literature studies, and old church buildings formed by the ancestors of the Biak indigenous people, then comparing them with the basic guidelines for Protestant Christian church architecture and the principles of modern architecture. As a result, the Church of GKI Jahja Sasari combines traditional and modern architecture with an expression of an approach to the geography of the Pacific coast and the culture of the Biak people. The presence of the cross and dove symbols visually marks the GKI Protestant Christian church's presence with the Trinity God's presence; the interior symbolic ornaments strengthen its uniqueness as a sacred (religious) space. The shape and number of windows symbolize the number of indigenous peoples who inhabit the Aimando Padaido islands with a modern architectural style and provide space for symbols and symbolic ornaments. There is a mixture of modern traditional architecture with the symbolism of the church as a holy and sacred building of worship.
巴布亚比亚克努姆福地区 GKI Jahja Sasari 教堂的象征性建筑和意义
GKI Jahja Sasari 教堂的建筑展示了取自《圣经》的符号和装饰品,讲述了上帝三位一体在人间的存在,表达了一种信仰和神圣庄严的宗教氛围。以二维和三维物体形式排列的象征物美化了教堂,并具有作为伟大礼拜场所的精神意义。在教堂内部(内部)和教堂外部(外部)都布置了象征物和象征性装饰品,从视觉上烘托教堂气氛,从美学、心理学和宗教学上帮助人们领悟信仰。位于比亚克努姆福尔摄政区艾曼多-帕代多村群岛的 GKI Jahja Sasari 教堂是一座基督教新教教堂,其特点是采用传统和现代建筑风格,教堂内部和外部均配有象征物和装饰品,试图保留其祖先于 1962 年建造的教堂的装饰品和象征物。祖先建造的装饰物在新教堂建筑中得到了保留,反映出教堂设计所依据的现代建筑原则中存在圣经符号。研究问题是 GKI Jahja Sasari 教堂中存在的符号和象征性装饰物,该教堂结合了传统建筑和现代建筑,呈现出美学、心理学和宗教方面的内容。研究通过分析二手资料(照片和文字)、文献研究和比亚克原住民祖先形成的古老教堂建筑,然后将其与基督教新教教堂建筑的基本准则和现代建筑的原则进行比较。因此,GKI Jahja Sasari 教堂将传统建筑与现代建筑相结合,表达了对太平洋海岸地理和比亚克人文化的关注。十字架和鸽子标志的出现在视觉上标志着 GKI 基督教新教教堂与三位一体的上帝同在,内部的象征性装饰增强了其作为神圣(宗教)空间的独特性。窗户的形状和数量象征着居住在艾曼多-帕代多(Aimando Padaido)群岛上的原住民的数量,具有现代建筑风格,并为象征和象征性装饰物提供了空间。现代传统建筑与教堂作为神圣礼拜建筑的象征意义相融合。
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