Theatrical metaphor in a „woke” and „cancel” culture

Abstract

In this article we explore the complexity of the metaphor in contemporary theatre, emphasizing its importance in the context of "woke" and ”cancel” culture. We argue that, historically, theatre has been a medium in which the metaphor has played an essential role, serving as a means of creative expression and challenging seemingly immutable realities. In the modern era, theatre faces new challenges, including pressures to be socially responsible and inclusive, which can limit the use of metaphors. We emphasize the need for artistic freedom in theatre to enable a deep exploration of human complexity and to keep theatre relevant and accessible. It also discusses how current pressures can drive self-censorship in art, but we emphasize that creativity can flourish even under constraints, suggesting that metaphor can evolve to remain relevant in the face of social change. By calling for ongoing dialogue in the theatre community about the role of art and freedom of expression, we highlight the importance of adaptation and innovation in the face of contemporary challenges, maintaining theatre as a vital space for reflection, introspection and social change. We conclude with the question: If there is a space where the metaphor and the actor can take on new meaning, challenge and innovate in a way that balances the respectful approximation of diversity and inclusion with the unceasing desire for artistic exploration.