"Thank You for Sharing this Fantastic Performance"

Christofer Jost
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引用次数: 0

Abstract

YouTube is one of the most important music media in the world today. Musical practice is reflected there in a variety of forms, from sound recordings to music videos to tutorials. The media environment that YouTube creates as a platform inscribes itself – to some degree – in the actions of those who use it. This is also the case with the YouTube drummer phenomenon, which this article examines in more detail in terms of the interplay between persona construction, music-making, media presentation, and transmedia content concatenation. The thesis is pursued that the practice of YouTube drummers creates a singular interference space of conventions, modes of action, and social roles, which in some places has novelty value with regard to music-related persona constructions and their implementation in platform-based audiovisual media, and which transcends media boundaries. The specificity of the persona construction essentially results from the mediating position of the drum-playing actors: they are not only performers who, like social media influencers, push into the light of publicity, but at the same time musical experts and instructors, quasi-curatorial music communicators who select, prepare, and present music of the past, and intermediaries of the corporeality of popular music. The analyses presented are based on exploratory investigations of the YouTube drummer field itself and a case study.
"感谢您分享这场精彩的演出
YouTube 是当今世界最重要的音乐媒体之一。从录音到音乐视频再到教程,音乐实践以各种形式在这里得到体现。YouTube 作为一个平台所创造的媒体环境在某种程度上体现在使用它的人的行为中。YouTube 鼓手现象也是如此,本文从角色构建、音乐创作、媒体展示和跨媒体内容串联之间的相互作用角度对其进行了更详细的研究。本文的论点是,YouTube 鼓手的实践创造了一个由惯例、行动模式和社会角色组成的独特干扰空间,在某些地方对音乐相关的角色构建及其在基于平台的视听媒体中的实施具有新颖的价值,并且超越了媒体的界限。角色建构的特殊性主要源于打鼓演员的中介地位:他们不仅是像社交媒体影响者一样推向宣传之光的表演者,同时也是音乐专家和指导者,是选择、准备和展示过去音乐的准策展音乐传播者,是流行音乐肉体的中介。本文的分析基于对 YouTube 鼓手领域本身的探索性调查和一项案例研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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