Stars, Anti-Stars, Anti-Star-Stars

Christoph Jacke
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引用次数: 0

Abstract

The phenomenon of stars and celebrities in media cultures – and especially in popular music cultures – seems to be omnipresent. At the same time, there is an astounding lack of analysis and research on these media personalities and personas, and international celebrity studies only recently a developing new field. Similarly, these kinds of observations are still very rare especially in German sociology as well as communication, media, culture and popular music studies. In this article, I therefore want to concentrate on the foundations of studying stars and celebrities within the attention economies by undertaking a theoretical transmedia-cultural framing of media personas and suggesting a typology. This ensuing typology of stars, anti-stars, and anti-star stars – especially within popular music cultures – demonstrates how stars and celebrities and their quantities and qualities of success and peer-group specific values coming form programs of (media and music) culture can serve as persona-seismographs of socio-cultural change between tradition and innovation.
恒星、反恒星、反恒星
媒体文化--尤其是流行音乐文化--中的明星和名人现象似乎无处不在。与此同时,对这些媒体人物和角色的分析和研究却少得惊人,国际名人研究也只是最近才发展起来的新领域。同样,这类观察也仍然非常罕见,尤其是在德国社会学以及传播、媒体、文化和流行音乐研究领域。因此,在这篇文章中,我希望通过对媒体角色进行跨媒体-文化的理论构架,并提出一种类型学,集中探讨在注意力经济中研究明星和名人的基础。随之而来的明星、反明星和反明星--尤其是流行音乐文化中的明星和名人--的类型学,展示了明星和名人及其成功的数量和质量,以及由(媒体和音乐)文化节目形成的同辈群体特定价值观,是如何成为介于传统和创新之间的社会文化变迁的 "角色地震图 "的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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