From Art Introspection to Selfie Co-creation

Anita Kocsis, Sarah Kenderdine, Linus Tan
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Abstract

This practice-based research is a visitor experience engagement framework applied in cultural institutions. We revisit O’Doherty`s (1999) Inside the White Cube as a lens to the attention-experience economy. The White Cube precedes digital technology and 24/7 contemporaneous experiences. What principles derived from the ‘White Cube’ inform contemporary experience consumption? How are designers to consider stakeholder experiences in cultural institutions? We employ contextual analysis and experience researcher introspection including people, place, objects, rules, relationships, and blocking mapped with ‘White Cube’ ideology. We document a table informed by white cube themes for the future visitor engagement framework for cultural institutions.
从艺术自省到自拍共创
这项基于实践的研究是一个应用于文化机构的游客体验参与框架。我们重温了奥多赫蒂(1999 年)的《白立方》(Inside the White Cube)一书,将其作为注意力-体验经济的透镜。白立方 "先于数字技术和全天候体验。从 "白立方 "中得出的原则对当代体验消费有何启示?设计师应如何考虑文化机构中利益相关者的体验?我们运用情境分析和体验研究者的自省,包括人、地点、物品、规则、关系以及与 "白立方 "意识形态映射的阻断。我们根据 "白立方 "的主题,为文化机构未来的游客参与框架设计了一个表格。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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