"I Don't Feel Hate"

Barbara Hornberger
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引用次数: 0

Abstract

In (media) popular music, “personas” are usually media personalities. They mainly appear in mass media. As the media landscape has changed over the last 150 years, so have the media appearances of these musician-personalities - from sheet music to radio, records, film, television, music videos and finally YouTube, Instagram and TikTok. Popular music is dominated by stars, media personalities who present a musical performance - but the way this performance is presented has varied historically. In “old” media, record companies had considerable power with regard to access to markets, but also regarding production, marketing and perpetuation of star images. This has changed dramatically with the rise of the internet and various social media platforms. Now potentially everyone has access, everyone can present oneself publicly, everyone can have his or her “15 minutes of fame” (Andy Warhol). The article describes these transformations to the principle of stardom using a case study: the creation of the German entry for the Eurovision Song Contest in Rotterdam 2021. The previously unknown singer Jendrik Sigwart talks about his application on TikTok and in particular about the production of a music video for it. His application on TikTok for one of Europe’s oldest TV events is an interesting moment in media history, in which old narrative strategies mix with new ones.    
"我不觉得恨"
在(媒体)流行音乐中,"角色 "通常是指媒体人物。他们主要出现在大众传媒中。在过去的 150 年里,随着媒体环境的变化,这些音乐人的媒体形象也发生了变化--从乐谱到广播、唱片、电影、电视、音乐视频,最后是 YouTube、Instagram 和 TikTok。流行音乐的主导者是明星,他们是展示音乐表演的媒体人物--但这种表演的方式在历史上却各不相同。在 "旧 "媒体中,唱片公司不仅在市场准入方面,而且在明星形象的制作、营销和延续方面都拥有相当大的权力。随着互联网和各种社交媒体平台的兴起,这种情况发生了巨大变化。现在,每个人都有可能进入市场,每个人都可以公开展示自己,每个人都可以拥有自己的 "成名 15 分钟"(安迪-沃霍尔)。文章通过一个案例:2021 年鹿特丹欧洲电视歌唱大赛德国参赛作品的创作,描述了明星原则的这些转变。之前默默无闻的歌手詹德里克-西格瓦特(Jendrik Sigwart)讲述了他在 TikTok 上的申请,特别是音乐视频的制作。他在 TikTok 上为欧洲历史最悠久的电视活动之一提出的申请是媒体史上一个有趣的时刻,在这个时刻,旧的叙事策略与新的叙事策略相结合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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