Navigating the intersection of dramaturgy and artistic research in contemporary theatre education

Mads Thygesen
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Abstract

This paper discusses dramaturgy and artistic research’s evolving role in theatre education, focusing on the Master’s program in Theatre at Oslo National Academy of the Arts as a case study. Drawing inspiration from Richard Jochum’s ideas in “After Artistic Research,” the paper highlights the shift towards incorporating artistic research into the curriculum of art universities. However, it acknowledges the challenges in establishing a clear framework for artistic research within these institutions. The author argues that teaching and practising dramaturgy and artistic research in theatre academies have significant implications, marking a departure from traditional theatre education paradigms. The paper aims to contribute valuable insights and practical strategies to educators and practitioners involved in theatre education and artistic research, emphasising the importance of understanding and navigating the complexities of this evolving field.
在当代戏剧教育中探索戏剧创作与艺术研究的交叉点
本文以奥斯陆国立艺术学院的戏剧硕士课程为案例,讨论了戏剧学和艺术研究在戏剧教育中不断演变的角色。本文从理查德-乔楚姆(Richard Jochum)在《艺术研究之后》(After Artistic Research)一书中的观点中汲取灵感,强调了将艺术研究纳入艺术大学课程的转变。不过,论文也承认,在这些机构中建立明确的艺术研究框架面临着挑战。作者认为,在戏剧学院开展戏剧教学和实践以及艺术研究具有重要意义,标志着与传统戏剧教育范式的背离。本文旨在为从事戏剧教育和艺术研究的教育工作者和从业人员提供有价值的见解和实用策略,强调理解和驾驭这一不断发展的复杂领域的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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