The Emergence of New Women in Manju Kapur’s Difficult Daughters, Home, and The Immigrant

P. Kalia
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Abstract

The current study examines how women’s roles have changed in Indian society through an analysis of Manju Kapur’s Difficult Daughters (1998), Home (2006) The Immigrant (2009), and literary works. This paper analyzes the quest for feminine identity and the struggle for change in the female protagonists in the select works. Her fiction projects raise feminist concerns and feminist issues. In Indian tradition goddesses like Lakshmi, Saraswati, and Durga are worshipped in every household. Thus, the women are expected to have goddess-like characteristics to escape the scrutiny of critical eyes and feel trapped by such mundane situations. The prime objective behind the feminist movement was to change the destiny of women and make them realize that the time has come when they stop suffering silently in helplessness. Women in Indian society have never been recognized as persons apart from their assigned duties as mothers, wives, and daughters. The female protagonists of Kapur, Nina (The Immigrant), Virmati (The Difficult Daughters), and Nisha (Home) attempt to break away from the dependence syndrome that patriarchal agents have imposed upon them. The current study centers on the female protagonists’ quest for uniqueness and self-identity and avoids being perceived as self-sacrificing rubber dolls. They must struggle for their existence, which has been going on for centuries and will probably continue for a long time.
曼朱-卡普尔的《困难的女儿》、《家》和《移民》中新女性的出现
本研究通过分析曼朱-卡普尔(Manju Kapur)的《困难的女儿》(1998 年)、《家》(2006 年)、《移民》(2009 年)和文学作品,探讨印度社会中女性角色的变化。本文分析了所选作品中女性主人公对女性身份的追求和为变革而进行的斗争。她的小说项目提出了女性主义关切和女性主义问题。在印度传统中,家家户户都供奉拉克希米、萨拉斯瓦蒂和杜尔加等女神。因此,人们希望女性拥有女神般的特质,以逃避挑剔眼光的审视,并为这种世俗境遇所困。女权运动背后的首要目标是改变妇女的命运,让她们意识到不再默默忍受无助的时代已经到来。在印度社会中,妇女除了承担母亲、妻子和女儿的职责外,其人格从未得到承认。卡普尔的女主角妮娜(《移民》)、维尔玛蒂(《难伺候的女儿》)和妮莎(《家》)试图摆脱父权代理人强加给她们的依赖综合症。目前的研究集中于女主角对独特性和自我认同的追求,避免被视为自我牺牲的橡皮娃娃。她们必须为自己的生存而斗争,这种斗争已经持续了几个世纪,而且可能会持续很长时间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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